20131205121202sabah & sarawak lecture (eng)
TRANSCRIPT
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8/10/2019 20131205121202Sabah & Sarawak Lecture (Eng)
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AMM3083 Malaysian Traditional Music
Dr. Clare Chan Suet Ching
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The musical instruments in the folk music of Sabah and Sarawak are made up of
knobbed gongs (gong chimes), lutes, xylophones, wind instruments (flute), jews
harp.
Folk music also comprise of songs, instrumental pieces, and dance
Types of Ensemble
A. Gong-Chime Ensemble
B. Large Gong Ensemble
C. Idiophone Ensemble
D.
Chordophone EnsembleE. Solo/ musical instruments
F. Singing / Vocal
A. Gong-Chime Ensembles (Gong Chime)
1.1 Kulintangan (Sabah)(pg189) Ensemble Kuri-Kuriyan Bertitik
1.2 Engkerumong (Sarawak)(pg 160)
The gong-chime ensemble consist of:
i. A row of small gongs (5-8) is placed horizontally on top of two strings
stretched across a wooden frame. These gongs are struck on the knob bywith padded beaters.
ii. 1-2 drums (ketebong, dumbar or long drum)
iii. 2 or more knobbed gongs
a. Tawak (padded beater, a large gong with a thick rim beater)
b. Bandil / Bandai (a wooden beater of sharp timbre, large gong, or
gong moderately thick rim, the rim is not thick)
Example of Gong-chime ensemble:
1.1 Engkerumong Sarawak (pg. 160)
i.
An Iban musical ensembleii. Gawai Day accompanied by gendang gawai
iii. Ngajat Dance (War) accompanied by gendang ngajat
iv. Gendang Berumah accompanies the construction of a house
ceremony
v. gendang ngambu bini accompanies weddings
vi. These were once perforemd by females only, however, everyone can
perform it
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Dr. Clare Chan Suet Ching
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1.2 Musical instruments
i) Engkerumong
ii) Dumbak (drums) or ketebong
iii) Bandai / Selegai
iv)
Tetawak
Music
i) Texture: Layered, staggered entrances (step-by-step entry)
ii) Rhythm: The rhythm is repeated (in dance)
iii) Meter: Duple
iv) Rhythm is more important than melody, overall (total) effect
Figure 1 Ensemble Engkerumong Sarawak
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AMM3083 Malaysian Traditional Music
Dr. Clare Chan Suet Ching
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Example 1 Music Ensemble Engkerumong Sarawak
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AMM3083 Malaysian Traditional Music
Dr. Clare Chan Suet Ching
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2. Large Gong Ensemble
i. Large knobbed Gongs
ii. Accompany dance, celebrations and rituals such as funerals
iii. Performed during Gawai Day
iv. Large gong is family heritage, of high value
v.
Thick bronze wallsvi. Padded beaters/ wooden beaters
Examples of the types ensemble
i. Large Gong Ensemble by The Kajang-Sekapan (pg 198)
ii. Large Gong Ensemble by Bidayuh (pg215)
iii. Ensemble Sopogandangan in Sabah (pg 203)
Musical instruments
Tawak (tawag) Large gong, thick wall, deep rim, 1 or 2 knobs, padded
rubber beaters
Agong (gong) Gong large, thin walls, narrow rim, 1 or 2 knobs two wooden
beaters
Bandil (selegai) Average size drums, narrow rim, one knob, one wooden
beater
Canang (gan) Small sized gong, narrow rim, one knob, one wooden beater
Katoa Cylindrical drum, single headed drum, one pair of wooden
beaters
Diagram 2 Large Gong Ensemble
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AMM3083 Malaysian Traditional Music
Dr. Clare Chan Suet Ching
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Music Sample 2
Large Gong Ensemble by the Kajang-Sekapan group
C. Idiophone Ensemble
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AMM3083 Malaysian Traditional Music
Dr. Clare Chan Suet Ching
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Made from wood or bamboo
Percussion Idiophone and stamping idiophones
Beaten/ Struck
Earliest tools in Sarawak; associated with work activities; planting rice, repelling
rodents / insects in the long house, healing the sick or parade for guests
Example of an ensemble:
i. Alu (Alok) and Tangbut (pg 223)
ii.
Kesut (pg 227)
iii.
Togunggak / Togunggu (pg 232)
iv. pestle and mortar (pg 234)
v. Lansaran Floor (pg 233)
Other tools idiophone
vi) Tigarlerg / krumboi (snail shells)
vii) Jatung Utang
Music
Polyphonic: multi-layered
Rhythm: interlocking
Resultant Rhythm pattern
Diagram 3 Alu (Alok) and Tangbut
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AMM3083 Malaysian Traditional Music
Dr. Clare Chan Suet Ching
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Example 3 Rhythm Music Alu (Alok) and Tangbut
4. Chordophone Ensemble
Musical Instruments
Sapeh (pg 342) Plucked lute, 3-4 metal stings, rectangle-like body,
plucked with fingers
Tongkungan (pg 339) Plucked bamboo tube zither
Sundatang (pg 345) 2 plucked strings, long neck, fretted
Gagayan (pg 345) 2 plucked strings, very long neck, fretted
Serunai 1 string, bamboo resonator is framed with monkey skin,
strings are made from rattan
Terunjang 2 strings made from nylon (previously rattan), made from
wood, bamboo resonator, skin made from diaphram of
goat or monkey. Plucked with a wooden pick.
Example of ensemble
Ensemble Jatung Utang and Sapeh
* Jatung Utang (tuned wooden xylophone, a pair of wooden beaters)
Sapeh 1 & Jatung Utang (melody)
Sapeh 2 - drone / ostinato
Meter duple
Scale anhemitomic, pentatonic
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AMM3083 Malaysian Traditional Music
Dr. Clare Chan Suet Ching
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E. SOLO MUSICAL INSTRUMENT
Keluri/ Engkerunai (pg 311) 6-7 yg bamboos wrapped in a circle (pentatonic
scale)
Sompotan (pg 315) 8 bamboo in two parallel lines (pentatonic scale)Suling/ Seruling (pg 319) Open ended cylindrical tube, blown with breath
from the mouth, 4-6 finger holes, one thumb hole
Jews harp (pg 350)
Tong (Kajang, Sarawak)
Ruding (Iban of
Sarawak)
bungkau / uriding
(Dusun, Sabah)
Idiophone that has a flexible slit. This slit sounds
when it is plucked with a finger
Tun-ton Made from bamboo. The strings are made from 3-
4 bamboo slits (idiochordic)
F. Vocal Singing
i. Pantun (Sabah and Sarawak) (pg 295)
ii. Wa (Kajang, Sarawak) (m / s 300)
Greeting guests, funeral, travelling and healing, building a new home, hunting
animals and rituals associated with rice cultivation.
Performed during weddings, childbirth and lulling child to sleep or receive a
regular member.