indian music in malaysia-present

832019 Indian Music in Malaysia-present

httpslidepdfcomreaderfullindian-music-in-malaysia-present 121

bullNURUL FARIHIN BINTI MOHD RADZI D20091034866bullNORI NORI HAFIZA BINTI D20101037874

bull

SITI KHAMILAH BINTI KAMARUDDIN D20101037886bullSALMAN BIN IBRAHIM D20101037980

bullWANG LIN D20092036712



Music plays an important role in the religiousand social lives for Indian heritage inMalaysia

Indian carried the various traditions of it‟smusic to Malaysia

eg kuchh kuchh hota hai

Mostly of them abounds throughout Malaysia

on compact disc cassette tape record album onthe radio and television



Music is performed at mostly Hindu temples Celebrating the festival deities as lord Vishnu

and lord Muruga-This devotional music mostly accompanied by

music tool like harmonium and mridangamdrum

Music is also played for celebrating festivalslike Thaipusam chittirai paruvam and ponggol

-This festival musical mostly a ccompanied by music

tool like nagaswaram shawm and tavil drum

Ghagra is popular folk dance of Punjabi-To celebrate vasakhi (the birth of sikhism) as well a

entertainment concert



Indian traditional is been nurtured in privateinstitution as various Indian societies

These association mainly teaching and sponsoringactivates in ldquokarnatakrdquo music and dance for private

public functions and concertsEg association Sangeetha Abhivirdhi Sabha set up

in the Brickfields area of Kuala Lumpur and it‟sbranches in Johor Baharu and Peneng

Teachers mostly came from india suchas SCNagasamy that come from Tamil Nadus astrainer at

the assocation



Indian classical music in Malaysiaessentially retain as the same musical

tradition in India today

Many Malaysia classical musician

continue to go to various part of Indianto study with master in vina sitar andtabla performance

While specialist Indian musician likeRavi Shankar are invited to Malaysia togive performance to general public in

Malaysia



bull Known as Rig Veda existed in India datesfrom around 1500 BCE

bull First existed only in an oral tradition butwritten down by about the 10th century CE

bull Used by the upper three castes of HinduSociety

bull A manuscript on drama music amp dance

entitled Natya-Sastera was written during theperiod between the 2nd century BCE amp the6th century CE



Raga also explained the concept of rhythm tala(time cycle) beat tempo amp others

About 10th century another ancient treatise

entitled Brhaddesi by the theorist Matanga

In Natya-Sasterascale systems were

described amp theterm raga appeared

Melody type basisfor the creation of melody in Indian

Music



13th century the theorist Sarngadeva producetreatise of Indian classical music entitled

Sangita-Ratnakara (Ocean of music amp dance)particularly important because it describes thestate of south central Indian music just before

the effect of Muslim influence was strongly feltin the Indian musical arts

During mogul empire Muslim musicianscreated new raga amp tala introduced new forms

amp genre of music and new musicalinstruments



12th amp 16th centuries two differenttraditions of classical music emerged

known as Hindustani amp Karnatak

Although both music originated from thesame theoretical principles the two stylesexhibit different musical forms raga tala

musical instruments and other musicaldetails



Musical instruments in Indian music are manyand documented



CHORDOPHONES

makes sound by way of a vibrating string or strings

stretched between two points -In Karnatak music vina violin and tambura

-In the Hindustani musicsitar sarangi and sarod

vinaviolin

tambura

sitar

sarangi

sarod



AEROPHONES the wind instruments inIndian classical music are flute and reed

types

-

in Karnatak music venu-in Hindustani music bamsri

venu



MEMBRANOPHONES any musical instrument as

a drum in which the sound is produced by striking

rubbing or blowing

-In Karnatak music mridangam tavil

-In Hindustani music pakhavaj tabla

mridangam

tavil

pakahavaj

tabla



IDIOPHONES creates sound primarily by way of theinstrument vibrating itself without the use of strings or

membranes

-In Karnatak music tambourine (kanjira) ghatam and

morsing -In Hindustani music jaltarang

tambourine

ghatam morsing

jaltarang



Indian classical music focuses on melody and

rhytm

The classical composition are improvised and the

concepts of raga or rag and tala or tal are thebasis of improvisation



Based on the rag ( in the Hindustani tradition) orraga (in the Karnatak tradition)

Built on a 7-tone scale ( the solfege syllabes sa ri ga ma pa dha ni are used to sing the scale)

It is scale-like arrangement or bdquomelody-type‟ with aspecific ascending pattern and descending pattern



The tal (Hindustani music) or tala ( Karnatak music)refers to the time measure and rhytm in classical

music

The time cycle that contains a specific numbers of beats

The given time cycle used in a performance isrepeated throughout the piece

The basis for organizing time and for playing therhythmic patterns on the drums and other

percussion instruments The repeated tal or tala may be quite short 7 beats

for example or 30 or more beats long





Involves two main part FIRST PART The alapana (Karnatak tradition) or the alap

(Hindustani tradition) The music is not metered The drums are not played

The player reveals the particular raga slowly bringing outall the pitches and melodic motifs little by little Rhythm is free no tala present

Develops in stagesproceeding to the short session calledtanam (in Karnatak tradition) and jor ( in Hindustani

tradition)

Player begin to establish a steady beat or pulse in themusic Still no tala present

At the end of alapana the performer stops momenntarilyto re-tune his instruments



SECOND PART consists of the main

composition There is specific raga and tala

Usually the drummer enters the performanceat this time

Performance by Ravi Shankar



Indian musical associations in Malaysia also promote lightclassical and new music to attract the various ethnic groupsfrom South Asia as well as the Malays and Chinese to their

concerts

Shorter melodic themes and faster rhythms are used

Catchy melodies and new instruments are showcased toattract the audience

Example the group bdquoVadya Sammelanam‟ which performedfor Radio Malaysia highlighted jaltarang as virtuaso

instruments



Music plays an important role in the religiousand social lives for Indian heritage inMalaysia

Indian carried the various traditions of it‟smusic to Malaysia

eg kuchh kuchh hota hai

Mostly of them abounds throughout Malaysia

on compact disc cassette tape record album onthe radio and television


















the assocation








Malaysia
















Music



















CHORDOPHONES




vinaviolin

tambura

sitar

sarangi

sarod




types

-


venu





rubbing or blowing



mridangam

tavil

pakahavaj

tabla




membranes



tambourine

ghatam morsing

jaltarang




rhytm











music














tradition)












concerts




instruments


















the assocation








Malaysia
















Music



















CHORDOPHONES




vinaviolin

tambura

sitar

sarangi

sarod




types

-


venu





rubbing or blowing



mridangam

tavil

pakahavaj

tabla




membranes



tambourine

ghatam morsing

jaltarang




rhytm











music














tradition)












concerts




instruments








Malaysia
















Music



















CHORDOPHONES




vinaviolin

tambura

sitar

sarangi

sarod




types

-


venu





rubbing or blowing



mridangam

tavil

pakahavaj

tabla




membranes



tambourine

ghatam morsing

jaltarang




rhytm











music














tradition)












concerts




instruments
















Music



















CHORDOPHONES




vinaviolin

tambura

sitar

sarangi

sarod




types

-


venu





rubbing or blowing



mridangam

tavil

pakahavaj

tabla




membranes



tambourine

ghatam morsing

jaltarang




rhytm











music














tradition)












concerts




instruments



















CHORDOPHONES




vinaviolin

tambura

sitar

sarangi

sarod




types

-


venu





rubbing or blowing



mridangam

tavil

pakahavaj

tabla




membranes



tambourine

ghatam morsing

jaltarang




rhytm











music














tradition)












concerts




instruments




types

-


venu





rubbing or blowing



mridangam

tavil

pakahavaj

tabla




membranes



tambourine

ghatam morsing

jaltarang




rhytm











music














tradition)












concerts




instruments





rubbing or blowing



mridangam

tavil

pakahavaj

tabla




membranes



tambourine

ghatam morsing

jaltarang




rhytm











music














tradition)












concerts




instruments




membranes



tambourine

ghatam morsing

jaltarang




rhytm











music














tradition)












concerts




instruments




rhytm











music














tradition)












concerts




instruments









music














tradition)












concerts




instruments









tradition)












concerts




instruments










concerts




instruments

indian music in malaysia-present

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