portfolio johanna nordin 15/16

PortfolioJohanna Nordin

dec 2015

JohannaNordin

Mail:[email protected]

Telefon073-998 66 44

Hemsida:http://cargocollective.com/johannanordin

Datorkunskap:Kan bra:AutoCad, Revit, Adobe -Photoshop, Illustrator, InDesign, SketchUp, Microsoft OfficeHar jobbat i:3D Studio Max, Vectorworks,

2015 DECStockholm

Hej,

Jag söker praktik från januari 2016. Under hösten har jag bott i Köpenhamn och haft praktik på Adept och haft några egna projekt av olika karaktär vid sidan av. Året innan var jag på C.F. Møller i Stockholm. Nu är jag nyfiken på er!

Jag är uppvuxen i Stockholm och som liten och ungdom spelade jag basket på elitnivå. Ju äldre jag blev ju roligare tyckte jag att konst och design var och därför valde jag att gå Teknik Industridesign på gymnasiet, och efter det ett år på Nyckelviksskolan Färg Form och Hantverk innan jag började på Umeå Arkitekthögskola. Efter 2,5 år i Umeå fick jag en praktik på C.F. Møller. Under mitt praktikår där jobbade jag bl.a. med Uppsala Kraftvärmeverk (tävling), volymstudier för ett nytt bostadsområde i Årsta med konceptet ”HSB andas”, se portfolion.

Jag är intresserad i hur man med arkitektur kan skapa mervärden i stora och små skalor. Hitta nya svar på rumslig komplexitet, där svaret kanske inte alltid är så givet. I mitt skolprojekt i åk1 med tema dans sökte jag tex sådana svar, att bygga ett hus för en streetdance kändes inte rätt. Jag ville ge dansen möjlighet att kunna uttrycka sig på alla dess olika sätt. Inte enbart i den form som den fått med tidens gång, ge den möjlighet att återgå till sina rötter och fortsätta utvecklas. I mitt kandidatprojekt lokaliserat i Dharavi, Mumbai, jobbade jag med två strategier för att projektet skulle uppfylla det jag eftersträvade. Det ena var en byggd struktur där aktiviteter kunde hållas. Det andra var en nätverksbaserad strategi, för att passa in i kontexten och nå fler.

En annan sak som intresserar mig är hur man kommunicerar arkitektur. Hur man förenklar utan att tappa bort komplexiteten. Hur man presenterar arkitektur och hur man får den förståelig för den som inte är van vid att ta till sig/läsa arkitektur.

Anställningar& Frilans

Thorildsplansgymnasium

- Teknik

industridesign

Nyckelviks-skolan

- Färg, form & hantverk

Ordförande

- Studentkåren

Basket Coach

- F-00 Alvik Basket

UMAN

- Var med och startade upp skoltidning

#ApanFattas

- Reaktion på riving av Apberget i Umeå.

Uminova

- Student-kommunikatör

Umeå arkitekthög-

skola

- Bachelor

Umeå arkitekthög-

skola

- Bachelor

C.F. Møller[Stockholm]

helår

Gösta Westerberg Möbler[Stockholm]

Säljare & Grafiskt material

Grafisk form [egen]Hemsidor/Affischer/visitkort/vimplar

T.ex. för Vinterfestivalen

Arkitekt [egen]Sommarhus på Rådmansö- bygglov

Villa i Uppsala - bygglov

Barkk ArkitekterTimanställd

Div. arbetsuppgifter

KAJAKAJAStartat Ihop med Emma Sandvik, nordiska affi-

scher för barn och vuxna.

Adept[Köpenhamn]

höst

?[Stockholm]

?

20101991 2011 2012 2013 2014 20162015

Utbildning& Engagemang

Adept

Referenser

Egen

Arvika hamn[tävling]

- Stadsplanering, samarbete medMandaworks.

Arkitekt: Jens Peter Nielsen& Martin Laursen

Mårten Leringer

- C.F. Møller, [email protected]: +46 (0)8 5557 6038M: +46 (0)7 0563 7519

Ola Jonsson

- C.F. Møller, [email protected]: +46 (0)8 5557 6013M: +46 (0)7 6168 8708

Allan Greve

-Lärare i Umeå Arkitekthö[email protected]

M: +4522573372

C.F. Møller

Uppsala Kraftvärmeverk[tävling]

Arkitekt: Fredrik Cavallin, Peter Eklund, Joel Sjögren & Rutger Sjögrim

Design board: Julian Weyer & Lasse Vilstrup Palm

Hagnässkolan[ombyggnad och tillbyggnad]

Arkitekt: Åsa Esseen Wiking &Linda Gustafsson Lutener

Best of Årsta - HSB[volymstudie]

Arkitekt: Ola Jonsson & Cesar Patin Lapaussa

Samarbete med Dinell Jonhansson

Styr- och Upphandlingsdokument för Knivsta kommun- förskolor & skolor

[workshops och sammanställning]

Arkitekt förskolor: Linda Gustafsson Lutener

Arkitekt skolor: Johanna Redell

Skyltprogram Värtaterminalen[skisskede och FU]

Arkitekt: Katarina Klosterborg

Pinterest[marknadsföring]

Eget intiativ, genomfört ihop med Julian Weyer och grafiska avdelningen i Århus.

Div. presentationer

Mårten Leringer, Charlotta Holm Hildebrend, Linda Gustafsson Lutener,

Fredrik Cavallin

Aars Rådhus[tävling]

- Utforma ett nytt rådhus i anknytning tillbefintligt jobbcenter.

Arkitkt: Anders Lonka

Hus Hedberg

- Sommarhus på Rådmansö[pågående]

Hus Jonsson

- Villa i Uppsla[pågående]

Bachelor Project“Let’s Cook” Short description: By giving women a place where they can meet and cook together with a tutor who’s an expert in nutrition, both the women’s families and their communities will be empowered.

Let’s CookJohanna Nordin


• COLLABORATIONS • NGO should be working with the goverment through the ration and aslo with the street vendors at the street to buy food from.

LET’S COOK!DHARAVI By giving women a place where they can meet and cook together with a tutor who’s an expert in nutrition, both the women’s families and their communities will be empowered.

Dharavi is one of the largest slum areas in the world. A slum with great production and effenciency. It’s says that everyone has something in their home that is from Dharavi.

Information

• Care takers• Guarding• Working at home

Life of Women in Dharavi

• BAD FOOD• BAD NUTRITION

• LACK OF KNOWLEDGENOT MONEY

• PROVIDE KNOWLEDGE• CREATE MEETING PLACE

• EMPOWERED WOMEN WILLEMPOWER THEIR COMMUNITY

• To buy food• Get children from school

SITUATIONSPLAN 1:500 SITUATIONSPLAN 1:100

Networks• Some within the slum• Some reaches out• Some physically• Some psychologically

Movement

• Men

• Women

DharaviTotal area: 1.75 km21 person per 3.3 m2Approximately 100 nagars/communities

Communities often based on:• Origin

• Religion

• Proffesion

Within the communities different unwritten procedures exist and each community has it’s own way of living and dealing with different difficulties.

One expert showing how to cook

2 minute walk

5-7 minute walk

Two experts from NGO showing how to cook

Other issues are discussed

Other issues are discussed

They have fun together sharing stories

They use movies and laptop to infrom

One-two from NGO and 7-12 women

One-two from NGO and 7-12 women

Zero children Each women have 1-2 kids with them

[Reference] NGO’s working with nutrition and women SNEHA & FMCH

Experts, from NGO

Head office

NGO local

Area that they reach

Local in use

SNEHA with ”Dharavi Food Project”at Dharavi Art Biennale

2014

FMCH holding a course about nutrition in a shared NGO local

2014

AIM OF PROJECTI want to create a place where women:- come with their kids. - learn about food by cooking together. - kids are taken care of outside workshop. - after cooking session women, kids and the tutor eat together.

The project also aim to encourage women to go further away from their homes/communities and by doing so get more experiences and more information about the world they live in. At Let’s Cook the main topic is food and nutrition. It will also be possible to discuss in private with experts other issues that women in the slum have.

NGO has it’s office inside the slum and working from that to reach out to the

inhabitants.

Office & Workshop space

Smaller talks/workshops visits differens communities further away from the office.

BEAUTY

GOVERMENTINITIATIVE

FOOD RATIONHAND OUTS

PILE OF TRASH

BAR

MULTI KIOSK

MULTI KIOSK

MULTI KIOSK

CLOTHES

BEAUTY

FOOD

FOOD

KITCHEN WARE

POORER SETTLEMENTS

DHARAVI MAIN ROAD

DHARAVI MAIN ROAD

Roof top plan of Let’s Cook Existing on site today

LET’S COOK

ST KAKKAYYA MARGbusy market street

RICHER SETTLEMENTS

KITCHEN WARE

PHARMACY

LIVING

LIVING

LIVING

LIVING

LIVING

PROGRAM OF PROJECT

SPACES: AIM OF SPACE:

• RATION • Attraction point, spread information, contact with women.

• WORKSHOP AREA • Cooking and discussing different topics. Private room.

• A SPACE TO EAT • A nice open space for gathering (women,kids and NGO staff)

• SPACE FOR KIDS • A space that will make it easy for NGO staff to take care of a group of children. Space for play and talks, may also be prepering food.

• GIVE BACK • A community space for the residents, that also can be used by NGO for public events.

• PUBLIC ROOM • A resturant, run by the NGO.An income to workshops. Here men will be introduced to good food and the issue of bad nutrition.

• NGO OFFICE • A office at location so that staff is easy to access. More regular activities. Small room for private talks.

• Resturant • Ration • Community space • Space for Public Events •

• Workshop • NGO office • Gathering space • Space for kids •

Ground level - PublicCommunication

Men/women/kids

Upper level - PrivateCooking & DiscussionsInspiration & Meetings

Women/kids

N N

01 0402 0503 06

Bachelor Project 14·15

01 0402 0503 06




RATIONAway from public street, so the women who feel ashame doesn’t have to be exposed.

WORKSHOP AREAVisible from street, one level up so they can talk and discuss undisturbed.

A SPACE TO EAT TOGETHERA calm nice space near the workshop and kid’s space, away from street. At the upper floor where the discussions can be continuned.

SPACE FOR KIDSA space near the workshop and the mothers. Should be a fun space for kids. Easy for the NGO staff to overlook the kids and have diffrent acticities. Away from street and closer to nature and trees.

GIVE BACK TO THE COMMUNITYGive back an open and clam semipublic area, make it better then what was before. A place for festivals or public events run by NGO. Away from street so the topics can differ.

NGO OFFICEOffice have two functions; 1. a place to plan activities and answer questions from public. 2. a private space where more private talks can be hold between woman and NGO. Therefore access from street and one level up.

COLLABORATIONSCollaborations; 1. food, from ration and buy from the street vendors. 2. with community around - keep the kitchen garden nice and to spread the word about good food and the courses and activities.

PUBLIC ROOMOpen towards street, most important is to get in contact with the men at the street passing by. Secondary to showcase how good food can be prepered and cooked.

”At SNEHA, we believe that if men join the conversations, change will come.”

STREET VIEW FROM SOUTHTowards street the building mimics some of the characteristics typologics of Dharavian houses. Sush as otlas, small stair up to

second floor and second floor pushed out over street.

ENTRANCE TO RATIONA small opening into the semi-public courtyard and the ration.

The small stair is leading up to the NGO office.

ENTRANCE FROM EASTWhen entering from the community behind the house has an other

look, softer shaped and facaeds on upper floor ar covered with wood panels. Focus here is nature and gathering.

BIRD VIEW - STREETMake a statement of importance. Take place and have hard

shapes. Focus point is the restaurant so that women can sneak in to ration unseen.

BIRD VIEW - COMMUNITYTowards the community an other language of shapes

and materials are introduced. Walved roofs and leaves open spaces free and let nature take place.

N

1:50

1:50A-A

1:50B-B

A Day Outside Let’s Cook

A Day at Let’s Cook• Gathering• Playing area

• Community Space

• Treehouse

• Pathway

• Workshop

• Storage - at both levels

• Resturant & Kitchen

• Shops

Workshop •

Resturant & Kitchen •

Market street •

Shops •

NGO Office •

Entrance to Let’s Cook •

Pharmacy •

Shops •

• Ration

• Community space• Space for public events

• Kitchen Garden

Entrence •

Food storage •

Pharmacy •

Kitchen •- showcasing how to cook good food

Resturant •- selling good food

- income for NGO

Seating area •

Dish •Storage •

Stair up to NGO office •

• Screens- in wood as an introduction to the upper floor and new materials

• Inside Floor- polished concrete, easy to clean and nicer finish.

• Outside Floor- concrete, coarser texture so it isn’t slippery while raining.

• Walls - situ concrete.

• Metal net with grennery

01 0402 0503 06


01 0402 0503 06




Reflective material

Situ Concrete- reinforched

• Treehouse- playing area

• Wicket- possible to close the upper floor

• Rail

MORNING

• Not many are out- just a few earlie workers.• NGO staff is prepering the day.• The building is closed.

• Gathering area• Playing area• Eating area

• Wood panels

• Treehouse- playing area

• Dish & Storage

• Storage

• Resturant & Kitchen

• Workshop

• Community Space- public event

• Kitchen Garden

Fibre Concrete

• Pathway• Semi-private for

those who lives here

Ration •

NGO office •

Situ concrete •

Screen •- wood

Workshop •

Storage •

View from second floor.

Situ Concrete •

Gathering space •where women, kids and

NGO can eat togetherPlaying area •

Entrance •

Food storage •

NGO office •

WaterproofingOpen-air can pass through

Plastered and painted- bright color

Wood panel

Recessed light- used after sunset

Tile over sink- helps to reflect sunlight

Woven Bamboo

Sun light Rain Hot air

N

1:50

1:50D-D

1:10

1:50C-C

A Public Event by Let’s Cook &Refill in Ration Barn

Detail

A Day at Let’s Cook

Design princips

UPPER FLOOR- bigger- create shadow

OTTLAS- a place to sit- no rain inside

PILLARS- to state it’s excistens at the street

DOORS ON INSIDE- easy to open-don’t take any space of the room

DOORS TOWARDS OUTSIDE- can be locked- don’t take any space

SCREENS- dividing space- reduce visual contact

RAILING- metal grid- light construction

SCREEN DETAIL- screens are attached on situ concrete with a small distance.

Situ Concrete

Wood panel- only occur onupper floor

FACADE MATERIALS RAIN

Plan Plan - Office Sektion

• Restaurant opened and serving lunch.• More peolple moving around at the street. • The dwellers nearby hangout at the courtyard.• Shops starts to open up.

DAY

• Let’s Cook is having a workshop with women. • NGO staff takes care of children during workshop at upper floor.

AFTERNOON

• Ration is opend and having give outs.• Restaurant open, serving dinner, having help from local women from the course.• More activity at the market street.• Upper floor closed for the day.

EVENING

Women

Children

NGO Staff

Men

Vendors

Closed

• First Let’s Cook in Dharavi.• NGO driven.

• Aim to reach out further then neighborhood communities.

• NGO experts as tuors at workshops.• Dharavi women attend the courses and

cook together.

• NGO experts as tutors at workshops together with woman who have been attending the

courses and become an expert.

• Women who have attended the courses has become the experts and tutors.

• NGO staff in background if special needs occur.

• More Let’s Cook centers in Dharavi.• Some NGO owned and driven.

• Some NGO owned and mixed driven.• Aim to reach out to larger part of Dharavi.

LET’S COOK!Possible future development for Let’s Cook and the program.

01 0402 0503 06


01 0402 0503 06


Food market (3rd semester)

ROOM FOR ACTIVITIESI see this market as a framework for activities to take place in. To be filled with colorful food, spices, meat, fish, cheese, crafts, second hand goods or to put up a concert inside the big hall or another event arranged by the market, the city, the hotel, a company or for a private event.

WHY the location?This is an unused place most of the time during the year, though people pass it everyday all year around. The big bike path connects the city center of consumption with the center of knowledge – the university and the hospital. The site is also close to the buss center –Vasa-plan– where all the bus lines connect. This part is also a grey zone now a day, in my opinion. To the left you have “Öst på stan” as you past Östra Kyrkogatan, and just one block away you will start to feel the center.

In the history of Umeå the site between the school and church has had different names and functions: church square, school park and as now “Vänortsparken”, a public park. In the 70’s the old city plan was ”destroy-ed” by the infrastructure that was built to make the city more adapted for car access. Storgatan got broader and a new bridge was build to connect both sides of the river. It was planned for 60 000 cars using the bridge every day. Today it’s about 15 000, so it is much larger then it has to be. The north south axis in the city plan be-tween the two great buildings, the church and the school, became secondary and inferior to the new street and it also had a negative infuence on the connection between the three parks Vänortsparken, Kyrk-parken and Döbelns Park.

I believe that a food market can bring life to this part again, linking to the old north-south axis but also high-light the movement of people in the west-east direction.

FOOD MARKET - spring 2013 JOHANNA NORDIN

STORING UNIT EAT, look, smell EVERYDAy MOVEMENT

Car road

Walk ways

Cars

Bicycles

Winter

Fall

Summer

Spring

Front side

Back side

Cars/ pedestrians

Intensity

Seasons

Front/ Back

7KH�SHGHVWULDQ�VWUHHWV�FDQ�EH�VHHQ�DV�D�GHÀQL-tion of the ”city center”.

6KRZLQJ�WKH�LQWHQVLW\�RI�FDU�DQG�ELNH�WUDIÀF��7KH�FHQWUDO�VTXDUH�LV�FOHDUO\�GHÀQHG�E\�ERUGHUV�RI�LQWHQVH�FDU�WUDIÀF��7KLV�FHQWUDO�VTXDUH�LV�HYHQ�PRUH�FOHDUO\�GHÀQHG�E\�WKH�ELNH�ODQHV�DOVR�EH-ing focused in the same area.

Showing the expanding and s hrinking city center, depending on the seasons. It shows that many central areas are periodically completely unused.

The color coding shows what areas within the city center feel like front sides and what areas feel like backsides. It shows that large areas of WKH�FLW\�FHQWHU�DFWXDOO\�IHHO�OLNH�EDFNVLGHV��HYHQ�though they are located in the most central part of Umeå.

SCHMACK BIBLIOTEKSCAFEET

Age

Sex

Lives

Origin

Occupation

How often

15-2526-3536-4546-5556-65

WomenMen

Umeå centerOutside center

Other city

UmeåSweden

Outside Sweden

Culture workerMunicipal em.3ULYDWH�HP�

StudentRetired

(YHU\GD\4-6/week1-3/weekca 1/yearFirst time

SeatingBoutique

WCStaff

0RYHPHQWCachier

50's design, culture, eco IULHQGO\��YHJDQ�DQG�

fashion.

3ULYDWH��ZRPHQ�

2005

Not consciously.

3ULYDWH��IDPLO\�EXVQLHVV

1980's

CONCEPT &Target group

OWNERSHIP

OPENING

Light sourceBig lamps in the ceiling create a

general lighting but the main light sorce is daylight.

Wall lamps mainly for decor, main light sorce is daylight.

80 seats

50-60 Seats

Bibliotekcafeet

Schmack

Distance betweenvisitors

0,5-1 m

1-2 m

Visual relations

Passing people are on the same OHYHO�DV�FXVWRPHUV��2QO\�FOHDU�

YLHZ�LQ�ZKHQ�FORVH�WR�WKH�ZLQGRZV��

&XVWRPHUV�DUH�RQ�D�KLJKHU�OHYHO�than passing people. Feeling of looking into a ”store window”.

acoustics

Despite the closeness to other FXVWRPHUV�WKH�VRXQG�GRHVQ·W�WUDYHO��

Constant sounds from the coffee machine and other customers.

24 kr

28 kr

65 kr

79 kr

Jazz

Jazz

ArrivalSchmack

Bibliotekscafeet

0DUNHWV� ÀOO� PRUH� IXQFWLRQV� WKDQ� FRQVXPSWLRQ�� 7KH\� DUH� D� PHHWLQJ�SRLQW��D�VSHFWDFOH�WKDW�GLVUXSWV�HYHU\-GD\�OLIH�DV�PXFK�DV�LW�LV�SDUW�RI�LW��1RW�D� VKRSSLQJ� FRPSOH[� EXW� DQ� DFWLYH� SDUWLFLSDQW� LQ� ORFDO� OLIH��7KH�PDUNHW�KDV� VRPHWKLQJ� WR� RIIHU� IRU� HYHU\� RQH�� EH� LW� HFRORJLFDO� SURGXFH�� ,UDQLDQ�KHUE�EOHQGV��RU�D�FKDW�ZLWK�

\RXU�QHLJKERXU��

How to get to the market

CITY ANALYSIS ProgramPERMANENT

TEmporary

SEASON

INDOOR

OUTDOOR

14 units

20 units

40 units

Thoughts about different architectural expressions

PERMANENT

7KH�SHUPDQHQW�YHQGRUV�VKRXOG�DOVR�H[SUHVV�WKDW�WKH\�DUH�WKHUH�WR�VWD\��,�DOVR�ZDQW�WKHP�WR�KDYH�WKH�SRVVLELOLW\�WR�FUHDWH�D�IULHQGO\�DQG�HYHU\GD\�OLIH� connection with the people in the city who are passing by. The expression should therefore talk the language of a normal street with big, wide display possibilities, all year around.

TEmporary

7KH�VKRUW�WHUP�YHQGRUV�ZLOO�UHQWLQJ�VWDOOV�LQ�WKH�KDOO��D�VSDFH�WKDW�LV�PRUH�ÁH[LEOH��'HSHQGLQJ�RQ�KRZ�PDQ\�YHQGRUV�ZKR�DUH�RFFXS\LQJ�WKH�PDUNHW��6LQFH�LW�FDQ�EH�SUHWW\�LQWHQVH�DQG�PDQ\�YHQGRUV�DW�RQFH�,�EHOLHYH�LQ�D�ODUJH�YROXPH��7KH�VWDOOV�ZLOO�FUHDWH�DQ�LQQHU�URRI�WKDW�FUHDWHV�D�PRUH�LQWLPDWH�VFDOH�ZLWKLQ�WKH�ELJJHU�YROXPH�

SEASON

The season market will be outdoor. In Umeå there is already existing a seasonal market –”The Farmers Market”. It’s simple and they come with WUXFNV�DQG�SDUDVROV�DQG�WDEOHV��,�ZDQW�WR�FUHDWH�D�QLFH�VSDFH�IRU�WKHP�WR�ÀOO�GXULQJ�VHDVRQ��7KH\�FDQ�ÀOO�LW�ZLWK�ZKDW�WKH\�ZDQW�DQG�KRZ�WKH\�ZDQW�DQG�WKDW�ZLOO�FUHDWH�D�GLYHUVLW\�WKDW�ZLOO�JLYH�DQ�XUEDQ�WRXFK�WR�8PHn�

CHOOSEN SITE

WHY?7KLV�LV�DQ�XQXVHG�SODFH�PRVW�RI�WKH�WLPH�GXULQJ�WKH�\HDU��3HRSOH�SDVV�LW�HYHU\-day all year around. The big bike path connects the city center of consump-WLRQ�ZLWK�WKH�FHQWHU�RI�NQRZOHGJH�²�WKH�XQLYHUVLW\�DQG�WKH�KRVSLWDO��7KH�VLWH�LV�also close to the buss center –Vasaplan– where all the bus lines connect. This SDUW�LV�DOVR�D�JUH\�]RQH�QRZ�D�GD\��LQ�P\�RSLQLRQ��<RX�KDYH�WR�WKH�OHIW�´gVW�Sn�VWDQµ�DV�\RX�SDVW�gVWUD�.\UNRJDWDQ��DQG�MXVW�RQH�EORFN�DZD\�\RX�ZLOO�start to feel the center.

In the history of Umeå the site between the school and church has had different names and functions: church square, school park and as now ´9lQRUWVSDUNHQµ��D�SXEOLF�SDUN��,Q�WKH��·V�WKH�ROG�FLW\�SODQ�ZDV�µGHVWUR\HGµ�by the infrastructure that was built to make the city more adapted for car access. Storgatan got broader and a new bridge was build to connect both VLGHV�RI�WKH�ULYHU��,W�ZDV�SODQQHG�IRU��FDUV�XVLQJ�WKH�EULGJH�HYHU\�GD\��Today it’s about 15 000, so it is much larger then it has to be. Because of this infrastructure the north south connection in the city plan with the two great buildings, church and school, became weaker and also the connection bet-ZHHQ�WKH�SDUN�9lQRUWVSDUNHQ��WKH�.\UNSDUNHQ�DQG�'|EHOQV�3DUN��

,�EHOLHYH�WKDW�D�IRRG�PDUNHW�FDQ�EULQJ�OLIH�WR�WKLV�SDUW�DJDLQ�DQG�DOVR� FRPPHQW�RQ�WKH�ROG�QRUWK�VRXWK�D[HV�EXW�DOVR�KLJKOLJKW�WKH�PRYHPHQW�RI� people in the west-east direction.


PLAN & ELEVATIONSPLAN 1

ELEVATION SOUTH

CONCEPT COLLAGE

ELEVATION west

1:200

1:200 1:200

1.

2. 2.3. 3.4. 4.5. 5.6.

6.

7.

8.8.

8.9.

9.9.9.

10. 11.12.13.

14. 14.

15.

16.

17.

17. 17.

17. 17.

18.19.

20.

1. 19.

18.

20.17. 17.16. 9. 7.13.

21.22.

INDEX

1. MAIN ENTRANCE 2. FISH3. FRUIT4. MEAT5. DIARY��602.('��%$.(5<8. FOR RENTAL9. TEMPORAY UNITS10. ADMINISTRATION11. MAIN STORING

12. CHILDREN ROOM13. PUBLIC TOILETS14. CORRIDOR15. LOADING SPACE16. SECONDARY ENTRANCE��6($621�0$5.(718. CAFE/ RESTAURANT19. ENTRANCE TO CAFE20. OUTDOOR SEATING21. ELEVATOR22. TOILET

MAIN ENTRANCE

SECONDARY ENTRANCE

1:20 SECTION MODEL


SITe PLAN

KUNGSGATAN

STORGATAN

VÄNORTSPARKEN

DÖBELNS KYRKA

ÖSTRA KYRKOGATAN

VÄSTRA KYRKOGATAN

MIMERSSKOLAN

DÖBELNS PARK

KYRKOBRON

CULTURE HERITAGE

UNDERGROUND PATH

VASAPLAN, BUS CENTRAL

UMEÅ ÄLVEN

1:500

1:50

SMALL CHANGES1. The park and thegreenery is exten-ding and connectingtowards Vasaplanto make a nicewalk path down tothe market and thepark. This can alsobe a great featurefor the future hotelWKDW�ZLOO�PRYH�LQ�to the old school –Mimerskolan.

2. A parking lot forYLVLWRUV�WR�WKH�PDU-ket and the hotelto be. Placed nearWR�WKH�gVWUD�.\UNR�gatan for easyaccess. No onewould like to sitoutdoor next tothe crowded roadeither, thereforea perfect spot forparking andloading.

��6RPH�YHJHWD-tion is cut down to open up the park WRZDUGV�.XQJV� gatan. Today it is hard to see and appreciate the park because of bushes and trees.

��7UDIÀF�FDQ�EH�KHDY\�RQ�gVWUD�.\UNRJDWDQ�DQG�Storgatan therefore this roundabout can be hard for pede-strians to cross. To SODFH�WUDIÀF�OLJKW�KHUH�,�EHOLHYH�FDQ�make this safer for bicycles and pede-strians. A resulting effect might be that more citizens will use the parks south of Storgatan and then also expe-ULHQFLQJ�WKH�ULYHU�²�8PHn�bOY�

1. 2.

3.

4.

4. 4.

4.

perspeCtive

View #1

View #2

View #3

1.

3.

2.

BUS STOPBUS STOP


SECTIONS

ELEVATIONSELEVATION EAST1:200

ELEVATION NORTH1:200

Short Section1:200

Long Section1:200

MATERIAL

Abstract SECTION

NORTH/ SCHOOL

West/ city EAST/ DWELLING

SOUTH/ Church

PROJECT


FLOOR PLANs

Floor Plan 21:200

Floor Plan 31:200

23.

INDEX

23. GREEN ROOF24. DOUBLE HEIGHT25. BALCONY26. PORTAL

SECONDARY ENTRANCE

23.

24.

25.

26.

23.


TEMPORARY STALL

1:20

MATERIAL

Desired functions and properties is a light material in some parts but also solid and strong in other parts of the construction. For example the core has to be able to stand straight when the HQWLUH�URRI�LV�XQIROGHG��7KH�ERWWRP�SDUW�KDV�WR�EH�À[HG�WR�WKH�JURXQG�RU�KDYH�D�ZHLJKW�SUHYHQWLQJ�WLOWLQJ��7KH�H[WUDFWHG�URRI�KDV�WR�EH�RI�D�OLJKW�PDWHULDO�DQG�DOVR�EHLQJ�DEOH�WR�EH�IROGHG�DQG�XQIROGHG�DQG�KDYLQJ�VRPH�VWLIIQHVV�LQ�RQ�GLUHFWLRQ�

Since the market is based on natural materials such as wood, glass, metal and concrete it would be nice if the stalls would keep up the same theme.

7KH�GUDZLQJ�LV�VKRZLQJ�D�FRQÀJXUDWLRQ�RI��XQLWV��WKH�PLQLPXP�DVNHG�IRU�LQ�WKH�SURJUDP��7KH�KDOO�FDQ�HDVLO\�ÀW�PRUH�XQLWV��7KH�VWDOOV�PD[LPXP�VL]H�LV��VTXDUH�PHWHUV��[�P��EXW�VLQFH�WKH�URRI�LV�ÁH[LEOH�\RX�FDQ�WDNH�OHVV�VSDFH�LI�ZDQWHG�DQG�WKHQ�SODFH�WKHP�FORVHU�WRJHWKHU�DQG�LQ�RWKHU�FRQÀJXUDWLRQV��IRU�LQVWDQFH�LQ�WKH�SHULSKHU\��:K\�QRW�PL[�WKHP�ZLWK�ORUULHV�DQG�WDEOHV":KHQ�DQRWKHU�HYHQW�LV�VFKHGXOHG�LQ�WKH�KDOO�\RX�FDQ�IROG�WKH�VWDOOV�WRJHWKHU�DQG�WKH\�EHFRPH�pillars, and you can pack them in the storing room if wanted.

3000

600

3000

Hall for temporary DFWLYLWLHV

Main storing area


Structure

An internal drainage will be installed for rainwater and also for the melting snow. A slight angel on the roofs towards the drainage will make the water ÁRZ�LQ�ULJKW�GLUHFWLRQ��

water and snowThe building will regulate some of the heating by using the shading system and also by opening all or some of the doors that exists around the building. 7KHUH�ZLOO�DOVR�EH�YHQWLODWLRQ�RSHQLQJV�near the roof in the façade for natural YHQWLODWLRQ��,Q�WKH�PRUH�VROLG�SDUW�WKHUH�ZLOO�EH�D�IDQ�V\VWHP�SURYLGLQJ�IUHVK�DLU�

Heating and ventilationThe materials in the market is pretty hard besides the wood in the panels, WKHUHIRUH�,�EHOLHYH�LW�ZRXOG�EH�JRRG�WR�put in some acoustic material in the in-ner roof especially in the double height space. If more is needed it is always possible to add it near the roof. When crowed the people will also absorb noise but of course also bring sound.

Acoustics

ROOM FOR ACTIVITIES

1:500

,�VHH�WKLV�PDUNHW�DV�D�IUDPHZRUN�IRU�DFWLYLWLHV�WR�WDNH�SODFH�LQ��)LOO�LW�ZLWK�FRORUIXO�IRRG��VSLFHV��PHDW��ÀVK��FKHHVH��FUDIWV��VHFRQG�KDQG�RU�HYHQ�SXW�D�FRQFHUW�LQVLGH�WKH�ELJ�KDOO�RU�DQRWKHU�HYHQW�E\�WKH�PDUNHW��WKH�FLW\��WKH�KRWHO��D�FRPSDQ\�RU�D�SULYDWH�HYHQW�

ConnectionPlaced in the north-south axe of the old city plan: school, park and church –commenting, JDLQLQJ�DQG�HQKDQFLQJ�LW��7KLV�JDOOHU\�ZLOO�DOVR�EH�D�SDVVDJH�IRU�WKH�IXWXUH�KRWHO�JXHVWV�WR�PRYH�WRZDUGV�WKH�SDUN�DQG�WKH�ULYHU��7KH\�ZLOO�KDYH�WKH�SRVVLELOLW\�WR�VHH�WKH�PDUNHW�ZDNH�XS�ZKHQ�passing through in early time of the day.

Democracy$OO�WKH�SHUPDQHQW�YHQGRUV�KDYH�WKH�VDPH�RXWZDUG�GLVSOD\�SRVVLELOLWLHV�H[FHSW�WKH�RQHV�RQ�WKH�FRUQHUV��7KH\�KDYH�WKH�VDPH�DPRXQW�RI�VTXDUH�PHWHUV�LQ�WKH�XQLW�DQG�DUH�IUHH�WR�ÀOO�LW�DQG� IXUQLVK�LW�KRZ�WKH\�ZDQW��(YHU\RQH�DOVR�KDV�WKH�SRVVLELOLW\�WR�SXW�VRPH�JRRGV�RXWVLGH�RI�WKHLU�store in the corridor.

Public spaceSince sellers can close their store during closed hours the hall can be partly opened for public use during the whole day. For example the public toilettes can be accessible 24 hours. It’s placed on the west side towards the city center and Vasaplan where all the busses connect.

big hall7KLV�GRXEOH�KHLJKW�KDOO�LV�IRU�WHPSRUDU\�HYHQWV��LW�FRXOG�EH�IRRG�PDUNHW��VHFRQG�KDQG��ÁHD� PDUNHW��FRQFHUW��VSRUW�HYHQWV�DQG�VR�RQH��7KH�XVH�LV�ÁH[LEOH�DQG�VKRXOG�EH��7KH�ZDOOV�FDQ�RSHQ�XS�GXULQJ�WKH�ZDUP�VHDVRQ�DQG�WKH�DFWLYLW\�FDQ�PRYH�RXWVLGH�DV�ZHOO�

THE GRIDThe market structure is based on a grid –VHH�GUDZLQJ²�ERWK�LQ�SODQ�DQG�HOHYDWLRQ��it is noticed in the glass facades.

STRUCTUREThe framework is based on a 200x50 mm pillars that is used throughout the building. The in between space in the IDFDGHV�LV�JODVV��WKDW�JLYHV�WKLV�ELJ� building light and transparent look.To stabilizing the framework both in HOHYDWLRQ�DQG�SODQ�ZLUHV�DUH�SODFHG� GLDJRQDOO\�WR�À[�WKH�VWUXFWXUH�

LARGE SPAN STRUCTURETo make the passage between the school DQG�.XQJVJDWDQ��9lQRUWVSDUNHQ�WR�feel like a high gallery without any pil-lars that interfere with the space a large span structure is placed to hold up the roof.

Building structure 1:50

1:2001:100

1:100

6LQFH�WKH�EXLOGLQJ�LV�FRYHUHG�ZLWK�JODVV�facades and will be exposed for sun light during the whole day it will need some sort of shading. The shading sys-tem will be wooden panels within each framework in the facades. The panels DUH�PDGH�ÁH[LEOH�DQG�FDQ�EH�FRQWUROOHG�depending of whether conditions. It can be set in to different angels and distance – see drawing. The appearance whenunused will be as in the photo collage.

sun shading

1:10

The buffer zone in this building is the glass corridor, which runs around the entire building except the north facade. 'XULQJ�VXPPHU�LW�FDQ�EH�RSHQHG�LQ�HYHU\�RWKHU�IUDPHZRUN�RQ�WKH�ÀUVW�SODQ��'XULQJ�winter the sun will heat this space up and it will create a pleasant in-door climate.

Buffer zone

IN SEMI OUT


Early THOUGHTS

PROCESS SKETCHES

EARLY PROCESS

Temporary structure (3rd semester)

We developed this structure to fit as a temporary one for a food market. The structure should create a space underneath it where the market can take place and it should also work like a bridge.

When folded it takes very little space and when unfolding it you can choose different figurations. Since it bridges over an already existing path we wanted it to be able see and walk through so it wouldn’t stop for the movement, just slowing it down giving attention to the the market stands so the market get its audience.

Group work with Emma Sandvik, Andreas Jonsson and Christina Lövald Hellberg.

SITUATION & Function

Stretch out over a movement that exists and create a new crossing It on a higher level.

Process

Process

#1 #2 #3 #4

Process

#1 #2 #3 #4

FINAL

Inner Roof

Space Sketch model

Final sketch model

Formations

Support Rod Rods are connected between the ground supporting elements in the structure. The wheel based structure folds and unfolds by external forces. This method allows for the structure to transform its shape.

Wire Wires are attached to the sides of the structure where the roof and the ground supporting structures meet and to the bottom of the ground supporting structures. The electric driven wires are also used to fold and unfold the structure. This method allows for the structure to transform its shape.

Rail Ground supporting elements are attached to a rail and can be locked in the rail at certain points. The electric rail is also the force unfolding and folding the structure. This method only allows the structure to fold out straight or bended according to the rail.

Final model 1:20

#apanfattas Apberget var en trappa och en scen med talarstol.

http://apanfattas.se

Initiativ på grund av att Umeå inför kulturhuvudstadsår-et väljer att riva stadens demokratiska plats Apberget. Apberget var en viktig plats för umeåborna. En plats att samlas i stadens centrum. Ibland för att ta en rullpizza i solen ibland i manifestation och fackeltåg mot rasism.

Ihop med 3 klasskamrater började vi rörelsen #apan-fattas. Vi letar nu efter Apan och försöker få Umeå kommun att förstå vilken viktig del de har tagit ifrån Umeås stad.

Vi letar varje dag vid lunch efter Apan genom att sitta där och äta lunch eller ta en kaffe i hopp om att de en dag återvänt till sin ursprungliga plats.

Under manifestationen innan jul mot rasism byggde vi också upp en temporär talarstol där den tidigare hade stått. 2000 umeåbor samlades efter fackeltåget vid talarstolen som stod på ett par lastpallar där tal mot rasism hölls.

Jag har formgivit hemsidan där vi lagt upp texter som beskriver vårt letande och där bilder från vårt insta-gramflöde #apanfattas finns och bilder innan och efter rivningen.

Vi har fått glada tillrop av andra som också önskar apans återkomst bla på Allt åt Alla. Länk till artikel:http://alltatalla.com/umea/att-gemensamt-bygga-ett-apberg-i-staden

2013- pågående

Vi är jag, Maja Hallen, Julia Samberg och Felicia Reppen.

Abstract model of slum-street

Heavy Painting

Dwelling model

Flexible furniture, The cube

Climate responsive design model

Graphic print

Field notes Dharavi

Model of structure inspired of a book

Abstract model Dance space

Abstract model Dance space

Lamp ”Horn”

”Dagens skulptur”Body device

Material test

Birch

PortfolioJohanna Nordin

dec 2015

Mail:[email protected]

Telefon073-998 66 44

Hemsida:http://cargocollective.com/johannanordin

portfolio johanna nordin 15/16

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