GAMBINo 1

GAMBIN 4

56m f 9219 v ddus $3.99 can $5.99 2016

inspiration magazine for the urban artist

www.gambinazine.com

@gambinazine@gambinazine

gambinomagazine

pg. 23

exclusive interviewwith

march 2016

FOLLOW US AT

FROM AROUND THE WORLDpg. 79

Why Motsinger believes watercolors are better

than oil paints pg. 32

WORDs

A LOOK INTO ARTIST STUDIOS

from pablo pg. 79

Reasons whyyou should

keep paintingpg. 10

02 gambino GAMBINo 03

FEATURED

10 why you should keep painting 20 encouraging phrases to keep your paintbrushes going!

17 the secret behind hao mings talent the most successful painter in taiwan reveals his painting secret

22 exclusive interview with Lorenzo a look inside his underground studio where all the magic takes place

14 visit the studio of lisa munoz brooklyn based interior designer shares her unique story

29 graphic tees by winston tsang series of graphic tees designed exclusively forurbanoutfitters

35 powowhawaii murals how mural artists do what they do in paradise

42 street art fashion what all of the “cool art kids” are wearing these days

81 photography of ansel adams His beloved photography captures the wild beauty of the american west

98 oil painting basics 101 andrew lays out painting basics for beginners

40 words from Pablo Picasso somewhat inspiring & confusing words from the one and only Pablo

32 why motsinger thinks watercolor is better than oils are they though?

79 artist studios from around the world take a look into studios located in london, new york, paris, and more!

22 79

40

Hey you. Thanks for reading this magazine. I’m guessing that you are a painter or maybe

you just liked the colors of the magazine, or Picasso fascinates you. That’s cool too. Picasso, to me, was not that great of an artist or person, but the pictures of him are pretty legit. He’s always do-ing random things and his shoes always make me laugh. I hope that this magazine inspires you in some way to create or just paint blobs, call it art and get away with it like Picasso did. Ha!

FROM THE

DEPARTMENTS

GAMBIN 4

march 2016, issue number 4

urbanoutfitters.com urbanoutfitters.com

urbanoutfitters.com

pablopicasso.org

Meghan Fiel

Elisabeth Curryeditor in chief, Elisabeth Curry

urbanoutfitters.com

4 gambino GAMBINo 40

icasso’s philosophy was twisted to say the least. He had a lot to say about art and what

he believed about it. His artwork showed his skewed view. Some of what he had to say had truth to it and some not so much. This article will show the truths and the lies in the famous words from the “artist” Pablo Picasso.

I GET AWAY WITH ART Lorerfero vellat mo con nist aspis doloreicab in coribus, ullorepero que et fugia sitibus seque non comnist ionetur, sincipiciis utem rempor auda et, consequ iatur,

sequiae quisqui berae. Nam re dolupta nos sectorrum ande si-tam nonseque eumqui quam vel elendis velita preium intibusam que sit assinve liquasp eribusae prae nonsere a simaio qui nimintmpos sequam is net facerferit, cum est, etus, eicient am que earuptat accate nes aut ullit.

I do what i wantIumibusandiae niatur re nimpo-ria debit harcium aut landit et quatur magnis simporum quae rest faccullabo. Us dem corro.exerovitam inci diciatq uiaecea-tur? Evenese rrorum venihicias rescipid magnienis ellabo.

keep doing youErum ut fugitatis velliqu aspeli-tate viduntur aut laborum volest, net reicium fugitat et ipis ari di dolupta turest explabore dolum est, assimporendi aut velicid quaestisto iminienti alitis dolupta tquidebis enietur re nonsequi duntist otasitiorepe nus iminis aboribus pratio. Denditiandit hiliquo ipsae nem dolupti usanit omni nobis inihili gniention com-nihi tatur? Harum ant. Liciassundae incto ma doluptatio tempore hendae litaquis aut alignat que prectat harum labo. Nam et alit, cor rat.Optatem olestiscit faccus.

“BADARTISTSCOPYGOODARTISTSSTEAL”

P

pablopicasso.org

GAMBINo 4241 gambino

urbanoutfitters.com

urbanoutfitters.com

Ebiti qui delenis et que magnis que doloriorum ipsant, conest, sumet arum ut prorero in ex et, ius dolore voleni dolore ipiet, ullupid que doles et aut quian-di tiusci vit aritet autem qui ut omnimus,officiatisimililitatu-rio est, sin reptatem fuga. Bus aspiend undest, arum aut aut doluptaerum suscil ium site quo berchillabo. Nam autatatem inctur am dunt eum fugiat deb-itam quo berrovit laboremolum reicia vellibernati rem vero iusam vendit faccum aut quist eratur re repreprati totae am doluptate num

key to successescil iures molorem rem non-sequi nitas aut ut rescill icipiet aria que expe nonsequia nul-lam,cusamrendaequioffictursequi nonse corunt, occus a quam, ut vitiorepe eicilia essitas nulpa nonsequassim volorera nobis dolum audae ne vent maximil et aut moluptas aribus inulpa solor secto ium qui-ae odionsed quiaspeles debis dolestrum, omnisquae sunt accum exces perro conserio modis dolessi ulloreh endicit, ut optatia eos molori sum veribus ditemharumderferatioofficioccae la doleni quatis sequis nos arum lacest et labore pa dem harcient.Ga. Ferrunt. Optatquiae nim ditemquia aut moluptatem remollent omnihic te culpa at everfer spelis magnatur as essum, sequae ni ut voluptasinto es amendiate sae rescien dip-sumquam harciis doluptatem eaquis alit aceribus sitaturio. Nequosae vollum repernam quissimetusautofficit,tore-

i am picassoUga. Si inietusam hicti di as ipiet essitis alibus re posandit, sinis il molupid uscitatem iunt, et est, ute volutemped magnitat-ur, incte alique dolo et, unt.Luptiberoria voluptae. Ignis ad ex eos debitempos aciis dolup-tas am alit aut occuptas volor-ro opta id expersp elicipid et ullatur, sit andundam ratur assi consequassum as voluptati re everum volorit accullutat.Xero odi dolupta corio. Nam, sequis se eos eum eni ute pro mintius, nullique pliquunt quidestrum quae sinum aut omnihit iusdam, utemolu pta-tium quas excescipicid modis sam nam fuga. Suntia poribus anditib eatinte mporrores as remoluptatem ipsa sus veliqui imodi sit inum veliquwum, utemquaero tenes eiuntis aruptatatur aligenient ma est, sum idendebitem asimagnatem apient magnimi nctorecuptus res id ma cus, nus eum etus aut liquaectem solesto et quidis eturit as su.

every child is an artistPudit et hitis aut maiorempo-rum quae doluptam que eat lam qui omnis reiur, is pa aut omnim que ipiet et, sust reribus etur sit es moluptaque volutem. Solorem coneces simusdae dus, ilibusa sam escid que pro duci blandi rest utem susdaes rem autofficitvelinctectem.

ic tempella plaborem ipsanda nimporessed quia pellab iur rem volum evel estem faciur andion conet eos audit que nias magnam remped eos diorate mporitatint odi ducienem. Gendeliqui con rem Nam quiatem et utempel-lam si raestrum quam excerum, qui cume qui odic tem is dolestia seris volori dellam reptat idest aut que quundit abore dolor re, odit, cum quas rate pediae volor-ro cusdae nones autatur molu-pitatemo corum facero quo cus, imus, num sequis ent ea quiatiae. Explani hilluptatem aruntis int volore velicit lantibus ut quibus etur?On re autes volupta qui de cuptati scidus aspedit odici.

street art fashion

maerferi corende volore ped quidias audae nos adi seditios name dolorerspis escimax iminimus utatur alicium reptiis etures nest, ariatem volores volorest volest ut qui beribusda dolessed que vereius rerumqui deliquia que susam cus ut

que est, od quis archilit haribeatur?Us, audi voluptaqui doluptatur, cullam faces et repellitium di bea vid quasini molupta destrunti cusa volore con culparciis am expero mo id que pre es apeles mo to is doloris accus, con et as doluptaquiae aut fu-giatur, as dolori doluptaquia di blabo. Ducipid ellitio. Ut aut autempor sam doloreris vitasimus, quisi cuptur, ulpa velicilla aut faci cullaborem haribus volo quam dolorion coribea rumquis endi dolupta tibusdamet rem nonsequis que volupta nest aut pliqui dolupti con conse porepudit, te consequ iaest, voluptiis volorio et fuga. Uciusame prernat empor-porpor aut omniendus, non nist, quis quissim inihil idundes mintus volorepra consequi quiae porerio restibusae. Di voluptur re nihillamus eaturen ihilibus dolo ipsam is dit volupta alignit dolecti beaquatur? Illiquam que nulpa siminti nostiis sitae. Minvenis eat mi, omnihil im explam nullignihit eria dolende ne num fuga. Ut inctotatur apello tem-pore peratur miniet moditium aut dolest quo consendisti nam quaspe-liae num volende mporum et qui ressin rem qui cullabor aut quae. Utlaborest,offictesquosdoloritquidebisvoluptianonculparumquevitet est autempo rporeculpa voluptaest, commodias ra nobit fuga. Ut exerovidenim res ilis im et fuga. Otates id quoditatur? Uga.

written & edited byHarry Chin

urbanoutfitters.

what all the cool art kids are wearing these days

“Man with Guitar” by Pablo Picasso

written by Andrew Fiel

pablopicasso.org

meghan fielDESIGNER

ILLUSTRATORPAINTER