living arts malaysia june 2011

8/6/2019 Living Arts Malaysia June 2011

1/16

issue89

june


2/16


3/16

With apologies to Robin Williams

Good Morning Vietnam! Between 1945 and 1954 Vietnam waged

an anti-colonial war against France and

received 2.6 billion dollars in fnancial

support rom the United States. The French

deeat at the Dien Bien Phu was ollowedby a peace conerence in Geneva, in

which Laos, Cambodia and Vietnam

received their independence. Vietnam

was temporarily divided between an anti-

Communist South and a Communist North.

In 1956, South Vietnam, with US backing,

reused to hold the unifcation elections.

By 1958, Communist-led guerrillas, known

as the Viet Cong, had begun to battle the

South Vietnamese government. It was the

longest war in US history and the most

unpopular US war o the twentieth century.

It resulted in nearly 60,000 American

deaths and an estimated 2 million

Vietnamese deaths. Even today, many

Americans still ask whether the US eort in

Vietnam was a sin, a blunder, a necessary

war, or a noble cause, or an idealistic,

i ailed, eort to protect the South

Vietnamese rom totalitarian government.

-Extract rom Digital History

Leap-rog into 2011 and to most young,

urban Vietnamese, the inamous Vietnam

War is nothing but a distant memory; andthe general consensus seems to be that

most o them could not really care less,

but instead, look orward to the uture and

what can be. Yet, to the millions o tourists

that visit Vietnam every year, the war and

all o its memories, is what attracts them.

Personally, I must admit to an almost total

ignorance o this country that is less than 2

hours ying time rom KL. It had never been,

until recently, a top-ten priority.

I am in Ho Chi Minh City, previously reerred

to as Saigon, to shoot a commercial orone o my long-standing riendly clients.

They are in the process o launching their

product in the Vietnamese market, hence

they elt they needed to shoot a site-specifc

commercial and thats where I come in.

My frst reaction was defnitely one o

curiosity. I did not know what to expect. The

minute the aircrat touched down and I saw

the remnants o what seemed to be wartime

bunkers, I elt this sudden chill race up myspine. That, however, quickly disappeared,

and was immediately substituted by absolute

terror on the road in Ho Chi Minh City in

peak hour and worse still, I was soon to

discover that it did not make the slightest

dierence i you were in peak hour or not

it was always the same horrifc so much

so that once you accepted the utility o

being concerned, you were let with only

one alternative laughter! Manic laughter!!!

That said, Ho Chi Minh City is a truly

remarkable city. At times you eel as i youare trapped in a time warp, only to be rudely

and delightully shocked into the reality that

like most Asian cities, Ho Chi Minh City has

a dual personality. Theres the kampung,

gritty almost Ipoh Road side to it and just

around the corner, when you least expect

it, you could be excused or thinking that

you were in one o the great cities o the

world. From roadside stalls to designer wear

paradise in the blink o an eye.

O the many wonderul things that go to

make up Vietnam, one o the most glorious

is the ood. Traditional Vietnamese ood

is a real treat. Always accompanied by

a mountain o the reshest and most

interesting vegetables, it leaves your mouth

watering and wanting more. On the other

hand, theres the let over inuence o the

French the reshest o resh breads and

the most sinul pastries and cakesall

relatively aordable.

Vietnam is a real adventure. There is so

much about this close neighbour o ours

that it would be impossible to relate in one

sitting and Ive not yet touched on Hanoi!

Joe Hasham is the Artistic Director andCo-Founder o Te Actors Studio Malaysiaand Te Kuala Lumpur Perorming

Arts Centre. He hates trac.

3

Living Arts MalaysiaEditor & Art DirectorNicholas Chin

AdvisorsDato Faridah MericanJoe Hasham oam

PrintDI Print Solutions

www.diprintsolutions.com

All eedback/comments about thispublication and/or the perormingarts in general are welcomed at:[email protected]

Te Kuala Lumpur Perorming

Arts Centre (klpac)

Sentul Park, Jalan Strachan

51100 Kuala Lumpur

Tel: (03) 4047 9000 (Box Ofce)

www.klpac.org

Te Actors Studio@Lot 10

Roo Top, Level 8A, Lot 10 Shopping

Centre, 50, Jalan Sultan Ismail

50250 Kuala Lumpur

Tel: (03) 2144 2009 (General Inquiry)(03) 2142 2009 (Box Ofce)

(03) 2143 2009 (Box Ofce)

www.theactorsstudio.com.my


4/16

Teatres Place inthe 21st Century(and why the ourth wall

needs breaking)

When he isn't hunched over a laptop in his KL home, T. Noah J. Nazim is aull-time student in Concordia University's Creative Writing Graduate Programin Montreal, Canada.

I love technology. Im one o those idealists

who honestly believe that our digital age isthe next step in humanitys march towards

global synthesis, world peace, collective

enlightenment and everything groovy.

I also love the theatre. I love that mystical

stillness in the air as the audience holds

its breath in anticipation. I love the way a

guy on a wooden platorm holding a plastic

prop can become the Prince o Denmark

deliberating over whether or not to kill his

uncle. I love the way an entire separate

reality seems to leap into existence as soon

as the curtains rise, pausing or laughterand applause, oering us a sly wink

through the ourth wall.

These two loves seem to be at odds. Lets

ace it: technologically speaking, theatre

comes o as an archaic orm o cinema.

Theatre has actors, lights, perhaps some

music and sound eects, and sets whose

changes are limited by the speed and

efciency o the production crew. Cinema

has the screen. Cinema isnt limited by what

you can and cannot put on a stage. As the

technology improves, the things youll seeon the screen are almost limitless.

With cinema, the audience peers through a

window into another world. With theatre, that

other world is only ever ostage, reerred

to by grown men and women in heavy

stied yawns. Hell know what works and

what doesnt, and will adapt accordingly.

The perormer-audience dynamic is the

essential characteristic o theatre which

cinema cannot have. Its the one thing that

will preserve theatre as a relevant medium

in the digital age. Its ironic that actors are

so requently told not to break the ourth

wall, when its precisely that breaking o the

ourth wall that lends theatre its particular

edge over cinema.

I theatre is going to persevere and grow

through the 21st Century and beyond, it

will need to take into account this edict o

interactivity. A play whose perormers are

constantly working o o the audiences

energy is bound to be more successul

than a play that demands that the audience

sit still and watch. The successul stage

perormance is not just a recitation o lines

and an execution o rehearsed movements

its an interaction between our reality and

the reality o the play. Its a conversation

between audience and perormer.

The uture o the stage is in the hands

o those experimenters who revel in the

interactivity o the stage, who get the

audience involved in the experience. So

audiences: express yourselves to your

perormers. Let them hear your delight,

your pity, your dread. Perormers: listen to

your audiences. Include them in the action.

Make room or their input and adapt to

their responses. Demand their attention,

not their silence. A theatre-going crowd

should never be expected to be a passive

audiencethey get too much o that sort o

treatment rom cinema.

makeup playing a grand game o Lets

Pretend. Its difcult or an audience raised

on flm and television to see how theatre

could ever compete with the wonders o the

screen. Its easy to see why cinema makes

so much more money.

Theatre must ask o itsel some undamental

questions: what place does it have in our

digital era? How can theatre hope to survive

in an age in which we can all-too-easily get

our entertainment at home, through our shiny

new screens? What does theatre have to

oer that cinema cannot possibly provide?

The answer, I eel, is interactivity.

Cinema is necessarily a passive medium.

The movie-going audience will sit and gape

at action that will continue regardless o the

audiences response to it, be it laughter,

booing or applause. The actors do their

bits in ront o the camera, and the director

shouts, Cut! accordingly. At no point inthe production process will an actor eed o

o audience stimuli. In cinema, the screen

cuts o any possible relationship between

perormer and audience.

Not so with theatre. A good stage actor is

totally aware o the audience, even i he

pretends otherwise or ear o breaking

characteror ear o acknowledging a

reality outside o the one he is creating

on stage. He knows when the audience

is having a good time. He acknowledges

laughter with a brie pause, perhaps asubtle change in expression to accentuate

the joke, or an improvised line or two i hes

eeling particularly sure o himsel. When the

audience is bored, hell know that too - hell

hear the coughs, the snores, the barely-

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6/16

Te Year In View 2011The ollowing is a listing o all shows held and to

be held at klpac and The Actors Studio@Lot 10

or the year. All details are correct at press time

but are subject to change. Details will be updated

in the next edition as changes become apparent.

LegendP Produced by

D Dates & Times

V Venue

T Ticket Prices

january

SOMEONE WHOLL WATCH OVER MEP TASD 516 JanV TAS @ Lot 10Written by Frank McGuinnessDirected by Joe Hasham OAM

AKASHA ALBUM LAUNCH CONCERTP AkashaD 8 Jan @ 8.30pmV Pentas 1, klpac

18TH FLOORP New Era CollegeD 1416 JanV Pentas 2, klpac

MODEL CITIZENSP klpac & The Necessary Stage

(Singapore)D 1922 JanV Pentas 2, klpac

YOSHIDA BROTHERSP TAS & JFKLD 2123 JanV TAS @ Lot 10

klpac OPEN DAY 2011P klpacD 23 JanV All around klpac (indoor & outdoor)

SOMEONE WHOLL WATCH OVER MEP TASD 2730 JanV Play Den, The Arts House (Singapore)

MUSIC OF THE HEARTP IMelody Music & ArtsD 30 JanV TAS @ Lot 10

february

THE PLATFORMP klpacD 7 FebV Indicine, klpac

WORLDS BEST MOVIESP TASD 12 (Shadow Kill), 19 (Charulata),

26 Feb (Floating Weeds)V Indicine, klpac

PAUL LOOSLEYS SHAKESPEAREON FILM SEASON 5

P klpacD 13 (Rome o & Juliet) &

20 Feb (Richard III)V Indicine, klpac

LIFE SDN. BHD. 6: ABUSEP TAS Teater RakyatD 2227 FebV TAS @ Lot 10Directed by Dato Faridah Merican

DREAM OF TIMEP The Japan Foundation, Kuala

Lumpur & TASD 20 Feb13 MarV Pentas 2 Foyer, klpacCostume exhibition by Shingo Tokihiro

march

THIS CANNOT, THAT CANNOTP TASD 26 MarV Pentas 2, klpac

PAUL LOOSLEYS SHAKESPEAREON FILM SEASON 5P klpacD 6 (Taming o the Shrew) & 13 Mar

(Antony and Cleopatra)V Indicine, klpac

THE PLATFORMP klpacD 7 Mar @ 8.30pmV Indicine, klpac

BUTTERFLY LOVERSP Nyoba KanD 1012 MarV The Actors Studio @ Lot 10

THE LAST FIVE YEARSP klpacD 1020 MarV Pentas 2, klpacWritten by Jason Robert BrownDirected by Christopher Ling

EVERYONE HAS HOPEP Taylors CollegeD 1427 MarV Pentas 2 Foyer, klpac

SHORT EYESP The Actors Studio Teater Rakyat &

Rumah Anak TeaterD 1620 MarV TAS @ lot 10

I AM NOT MY PIMPLES

P klpacD 2427 MarV Pentas 2, klpacWritten & Directed by Mark Beau deSilva, Asst. Director: Ceci Yong

FUSEDP The Actors StudioD 22 Mar (singer-songwriters),

23 Mar (WaMM lm screening),24 Mar (Baca), 25 Mar (ComedyHour) & 26 Mar (DanceBox)

V The Actors Studio @ Lot 10

NOBBY & FRIENDS IN JULLIADMUSICLAND

P Julliad Music School o Perorming ArtsD 2627 MarV Pentas 1, klpac

NIgHTLIFE CREATURESP klpacD 30 Mar3 AprV Pentas 2, klpacWritten by Yoichi KobiyamaDirected by Kimmy Kiew

april

THE PLATFORMP klpacD 4 AprV Indicine, klpac

INDICINE, KLPACLIVE!EPISODE3P klpacD 617 AprV Indicine, klpacDirected by Kelvin Wong

MADU IIP TAS Teater RakyatD 610 AprV TAS @ Lot 10

ODDISI STIRREDP Sutra Dance TheatreD 610 AprV Pentas 1, klpac

FANTASTIKAL STRINgSP klpacD 910 AprV Pentas 2, klpacFeaturing the klpac Strings EnsembleConduct by Dr. Takahisa Ota

DE TODO COMO EN BOTICAP klpac & Martanoemi NoreigaD 1124 AprV Lobby

ICOM CELEBRATION SERIES:TRIBUTE TO DISNEYP ICOM & klpacD 1415 AprV Pentas 1, klpac

TWOP Dua Space Dance TheatreD 1417 AprV Pentas 2, klpac

WORLDS BEST MOVIESP TASD 18 (The Go Master), 19 (Pickpocket),

25 (Juliet o the Spirits), &26 (Pather Panchali) @ 8pm

V Indicine, klpac

ISLAMAFOBIA-TAKUT ISL AMP Serious Comedy StudioD 2024 AprV Pentas 2, klpac

BODIES ACROSS BOUNDARIESP Rimbun Dahan

D 2224 AprV TAS @ Lot 10

LOVE JOURNEY 2P klpacD 27 Apr1 MayV Pentas 2, klpacFeaturing Michael Veerapen Trio, JoannaBessey, Junji Delfno & Malik Taufq.

CAIPIFRUTA gO gRAZ, AUSTRIA!P CaipirutaD 2830 AprV Indicine, klpacT RM40

MASTERPIECE IN MOTIONP Singapore Dance TheatreD 2930 AprV Penta s 1, klpac

PIPA TALKSP Vivo Experimental OrchestraD 30 Apr1 MayV TAS @ Lot 10

BRICKFIELDS STORY 2P TAS Teater RakyatD 1317 Apr @ 3pmV TAS @ Lot 10Written & Directed by Thor Kah Hoong

may

CABARETP PAN ProductionsD 615 MayV Pentas 2, klpac

LAND OF gODS & SHADOWSP klpac & Shalini Ganendra Fine ArtsD 929 MayV Pentas 2 Foyer, klpac

FAST, CHEAP AND DIRTY(KHAIRIL M. BAHAR SHOWCASE)P WAMM & The Actors StudioD 5May @ 8.30pmV TAS @ Lot 10Written by Marsha Norman

PAUL LOOSLEYS SHAKESPEAREON FILM SEASON 5P klpacD 1(Macbeth), 8 (King Lear),

22 (A Midsummer Nights Dream)

& 29 May (The Tempest) @ 3pmV Indicine, klpac

THE PLATFORMP klpacD 2 May @ 8.30pmV Indicine, klpac

ITS A gOOD DAY TO gIg!P Soundscape Records & TASD 1215 MayV TAS @ Lot 10Featuring Akta Angkasa & Deepset

THE MOON SPEAKS FOR MYHEARTP Dama OrchestraD 1429 May 2011V Penta s 1, klpac

BARS & BEDROOM

P Electric Mind ProjectsD 1922 MayV TAS @ Lot 10T RM25

A HISTORY OF FALLINg THINgSP klpacD 1922 MayV Pentas 2, klpacWritten by James Graham.Directed by Christopher LingFeaturing T4YP Ensemble

CENTHINI, EMPAT PULUH MALAMDAN SATUNYA HUJANP Alliance Franaise de Kuala

Lumpur, Embassy o France inMalaysia & The Actors Studio

D 23 & 24 May 2011V TAS @ Lot 10

PIXIES THE MUSICALP Simshen de ClassicD 2729 MayV TAS @ Lot 10

LIVE AT THE ACTORS STUDIO:SINgER-SONgWRITERP The Actors StudioD 2628 May @ 8.30pmV Pentas 2, klpac

WHITE CRANE SILATp Nyoba Kan & The Actors StudioD 30 May @ 8.30pmV TAS @ Lot 10

june

SWITCH ONP Herbal International & klpacD 3 Jun @ 8.30p mV Indicine, klpacT Free Admission

WORLDS BEST MOVIESP TASD 4 (Kids Return), 11 (Kikujiro)

& 18 Jun (Ran) @ 8pmV Indicine, klpacT Entrance by donation o any amount

(First come rst serve basis)

THE PLATFORMP klpacD 6 Jun @ 8.30p mV Indicine, klpacT Free admission

UNTITLEDP Syahidah & Valentine Cawley

ExhibitionD 619 Jun @ 10am10pmV Pentas 2, klpac, FoyerT Free Admission

RI YUE CHU YINP Hands Percussion TeamD 911 Jun @ 8.30p m,

1112 Jun @ 3pmV Pentas 1, klpac

T RM48 / RM68 / RM88 / RM108 /RM128

M13P Laguna MusicD 912 Jun @ 8.30pmV Pentas 2, klpacT TBC

FUSEDp TASD 1418 Jun @ 8.30p m

19 June @ 3pmV TAS @ Lot10T Entry by min. donation o RM10

ROCK PAPER SCISSORS BY NOORDNEDERLANDSE DANSP Libero Productions Sdn. Bhd. &

klpacD 15 & 16 Jun @ 8.30pm

V Pentas 1, klpacT Entry by min. donation o RM35

BIRDIAN SAXOPHONE QUARTET(BSQ)P The Birdian QuartetD 19 Jun @ 1pm (Masterclass);

4.30pm (Concert)V Pentas 2, klpacT RM10 (Auditor) / RM100 (Solo

Participant) / RM180 (GroupParticipant) / RM30 (Student) /RM40 (Adult)

ARE YOU IN TOWN? PAULWAH TIME CONCERTP Musictinix ProductionsD 2223 Jun @ 8.30pmV Pentas 1, klpacT RM53, RM83, & RM103

NITYA SUMANgALIP klpacD 2225 Jun @ 8.30pm,

26 Jun @ 3pmV Pentas 2, klpacT RM 25 / RM15 (students &

the disabled). Preview Night (22Jun) RM13 fat

Choreographed by Lex LakshmanBalakrishnan

BIRDIAN SAXOPHONE QUARTET(BSQ)p The Actors Studio &

The Birdian QuartetD 26 Jun @ 3pmV TAS @ Lot 10T Entrance by min. donation o RM15

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7/16

SHAKESPEARE DEMYSTIFIED:JULIUS CASESARP klpacD 29 Jun2 Jul @ 8.30pm,

2 & 3 Jul @ 3pmV Indicine, klpacT Entrance by donation o RM20

UNTITLEDP Serious Comedy StudioD 29 Jun3 JulV Pentas 2, klpac

july

A NIgHT OF CANTONESE OPERAP TAS Teater RakyatD 12 Jul @ 8.00p mV TAS @ Lot 10T RM 35 & RM20 (students &

the disabled)Directed by Mdm Kam Sin Kiew

THE PLATFORMP klpacD 4 Jul @ 8.30pmV Indicine, klpacT Free admission

HSBC CLASSICS OPERAEXTRAVAgANZA 2011P klpac & HSBC Bank Malaysia BerhadD 610 JulV Pentas 1, Pentas 2 & Indicine, klpac

T RM20RM60THE HIDDEN SESSIONS VOL. 2P TAS & Soundscape RecordsD 89 Jul @ 8.30pmV TAS @ Lot 10

HERE I AMPART IIP The Actors Studio & JAZZWORKSD 2024 JulV Pentas 2, klpacT RM54 (adults) / RM28 (students &

the disabled)

AI:IA IMPROV COMEDYP TAS Teater RakyatD 1316 Jul @ 8.30pm, 17 Jul @ 3pmV Pentas 2, klpacT RM23

HEART & SOUL CHARITY CONCERTP Philharmonic Society o SelangorD 2124 @ 8.30pm, 23 @ 3pm,

24 Jul @ 12pm & 7pmV Pentas 1, klpac

DANCINg AT LUgHNASAP TAS Teater RakyatD 2023 Jul @ 8.30pm,

24 July @ 3pmV TAS @ Lot 10Written by Brian FrielDirected by David Lim

AKU CINTA XXX 2011P klpac & ACX Product ionD 27 Jul @ 8.30pm (preview)

2830 Jul @ 8.30pm,3031 July @ 3.00pm (show)

V TAS @ Lot10Directed by: Amelia Tan

Cast: Ceci Yong, Easee Gan, Jinnie LimScenograer: Swing Chong

THE REAL INSPECTOR HOUNDP klpacD 2831 JulV Indicine, klpacT Entrance by donationWritten by Tom StoppardDirected by Alex ChuaFeat. The T4YP Ensemble

T4YP SWEATSHOPP klpacD 3031 JulV Indicine, klpacT Free admissionFacilitated by Alexis WongWritten & Directed by past & presentmembers o the T4YP Ensemble

MALAYSIAN COMPOSER CONCERTSERIESP klpac & UiTMD 2931 JulV Pentas 2, klpac

august

CausewayExchaneP TAS & The Arts House (Singapore)

FOOD,SEX&DEATHD 47 AugV Pentas 2, klpacT RM23 / RM13 (students & the

disabled)

TWO-ON-ONE:ANINTERACTIVETHEATRE FESTIVALD 37 AugV Pentas 1, klpac & Pentas 2,

klpac & TAS @ Lot 10T Entrance by donation

WORLDS BEST MOVIESP TASD 1516 & 2930 AugV Indicine, klpac

UNTITLEDP Dance SpaceD 1721 AugV Pentas 1, klpac

THE MONSTER SERIES: THEgARBAgE MONSTER FROM THE

MOONP Academy Children PresentationD 2021 AugV Indicine, klpac

FAREWELL, MY CONCUBINEP Lee Wushu & TAS Teater RakyatD 2627 @ 8.30pm,

2728 Aug @ 3pmV TAS @ Lot 10

UNTITLEDP Batu Dance TheatreD AugV Pentas 1, klpac

UNTITLEDP Prickly Pear EnsembleD AugV Pentas 2, klpac

HANDS 1 CONCERTP Hands Percussion TeamD AugV Pentas 2, klpac

september

KLPAC ORCHESTRA & SYMPHONICBANDP klpacD 24 SepV Pentas 1, klpac

SOUNDSCAPE RECORDSP TASD 911 SepV TAS @ Lot 10

MYDANCE FESTIVALP MyDance AllianceD 511 SepV Pentas 1, klpac, Pentas 2, klpac &

Indicine, klpac

KUALA LUMPUR CHILDRENS CHOIRSPOTLIgHTP Young Choral AcademyD 16 SepV Indicine, klpac

WORLDS BEST MOVIESP TASD 17 & 24 SepV Indicine, klpac

SHORT+SWEET MALAYSIA 2011P SHORT+SWEET & klpacD 21 Sep30 OctV Pentas 2, klpac

PAUL LOOSLEYS OSCAR, gEORgE& NOELP klpacD 18 & 25 SepV Indicine, klpacT Free admission

MUCH ADO ABOUT NOTHINgP klpacD 2225 SeptV TAS @ Lot 10T RM23 / RM13 (students &

the disabled)Written by William ShakespeareDirected by Christopher LingFeat. The T4YP Ensemble

JUST A DREAM - THE gREEN PLAYP Singapore Repertory TheatreD 1516 @ 10am, 1718 @ 11am &

5pm, 2023 @ 10am, 2425 @11am & 5pm

V Pentas 1, klpac

UNTITLEDP Kwangtung Dance GroupD SepV Pentas 2, klpac

CHAO FU KEI LEONgP TASD SepV TAS @ Lot 10

FUSEDP TAS

D SepV TAS @ Lot 10

october

UNTITLEDP Dama OrchestraD OctV Pentas 1, klpac

KIV: 2P TASD 79 OctD OctV TAS @ Lot 10Choreographed by LakshmanBalakrishnan & riends

CAUgHT IN THE MIDDLEP TASD OctV TAS @ Lot 10Directed by Thor Kah Hoong

PAUL LOOSLEYS OSCAR, gEORgE& NOELP klpacD 2, 9, 16 & 23 OctV Indicine, klpacT Free admission

A NIgHT OF CANTONESE OPERAP TAS Teater RakyatD 1516 OctV TAS @ Lot 10

LIFE SDN BHD 7P The Actors Studio &The UN

Reugee AgencyD October

V TAS @ Lot 10

november

KLPAC SYMPHONIC BANDP klpacD NovV Pentas 1, klpac

SOUNDSCAPE RECORDSP TASD NovV TAS @ Lot 10

RESIDENT DIRECTORS SEASON 2P klpacD NovV Pentas 2, klpac

INDICINELIVE! 4P klpacD NovV Indicine, klpac

UNTITLEDP myPAMD NovV TAS @ Lot 10

RUMAH TERBUKA, MUDERMYSTERYP TAS Teater RakyatD 1719 @ 8.30pm & 20 Nov @ 3pmV TAS @ Lot 10

Directed by Iedil Putra & Ashra ZainWritten by Shamaine Othman

UNTITLEDP Catwoman ProductionsD NovV Pentas 2, klpac

UNTITLEDP Dua SpaceD NovV Penta s 1, klpac

KALEIDOSCOPE II - HANDSDRUMMINg FESTIVALP Hand Percussion TeamD NovV Pentas 1, klpac

LET US BE UNITED IN LOVEP YKLS & TAS Teater Rakyat

D 1012 @ 8.30p m,1213 Nov @ 3pmV TAS @ Lot 10

BUTTERFLY LOVERSP Nyoba KanD 2930 Nov @ 8.30PMV TAS @ Lot 10

PLATFORMP klpacD NovV Pentas 2, klpac

december

NYOBA KAN BUTO FESTIVAL 2011P Nyoba KanD 23 @8.30pom & 4 Dec @ 3pmV TAS @ Lot 10

UNTITLEDp Joyce MintD 34 DecV Pentas 2, klpac

MOMOP TAS Academy @ klpacD DecV TAS @ Lot 10

CHILDREN THEATREP klpacD DecV Indicine, klpac

MALAYSIAN gIRLSP klpacD DecV Penta s 1, klpac

ANNUAL CONCERT

p DDance AcademyD DecV Penta s 1, klpac

FUSEDP TASD DecV TAS @ Lot 10

UNTITLEDP Pentas ProjectD DecV Pentas 2, klpac

UNTITLEDP Sham SunderD DecV Pentas 2, klpac

UNTITLEDP Embassy o Spain

D DecV Indicine, klpac

7


8/16

Every other Thursday, I have to wake

up one hour earlier (I usually wake up

at 7.30am). This only started on the last

week o January this year. I am writingthis as the start to this article because

this is actually what I honestly elt when

Faridah and Joe told us 'You all have

to go down to Ipoh to teach some

secondary schools and Daybreak'

They said it more eloquently I'm sure,

in one o the sta meetings we usually

have at klpac. But yes, that was the frst

thing that crossed my mind, as I politely

nodded and smiled at the news; must I

now stop watching programs at 11pm onAstro so that I can wake up early?!

The frst 'wake up at 6.30am' was very

difcult, not because it was hard to wake

up at 6.30 but because I am the sort o

person who'd not be able to sleep i I

know its something new I have to wake

up or, like the frst day o school you

know? So there I was In my house, at

5.30, and don't know what to do, so I

started thinking about this whole project

(as I watched Astro programs blindly).

They'd be about 6 schools to teach, all

secondary kids. I will have to teach these

6 schools with my riends Chris Ling,

Kelvin Wong, Kimmy Kiew, Qahar, and

Lex. As usual, Penang, KL or Ipoh, new

students can be quite scary. What would

they think o these KL teachers? Drama

teachers some more. Do they have

drama in Ipoh? O course they do, right,

many actors now in KL like Patrick Teoh,

Mano Maniam, all rom Ipoh, so it'd beeasy, right?

Then I remembered Faridah and Joe

also said in the same meeting, 'and got

Daybreak Centre. Daybreak Centre is

a centre or the disabled'. I have never

had a class with the disabled beore. So

I remember Malik Taufk and I went on

a mad rush around KL trying to looking

or help on how to teach a class or the

disabled. We met Shantini Venugopal.

'They are just the same, just like all o us'.

O course, I thought to mysel, how

silly o me to think they are otherwise.

I remembered an earlier trip Faridah

and I and the rest o the team madea ew months ago in 2010 when we

visited Daybreak. They were just like

us, everyday people working hard or a

living. So what or want drama right?

Never mind. Kimmy Kiew, Lex and I

drated a simple syllabus ater observing

Shantini's class at MAGIC. They can do

simple games, simple drama games,

maybe sing some songs?

'Cannot. First class all the things plan

hancur' Lex said. True, Kimmy also had

same problem, my class ared better.

The problem?

'They just look at us and smiled, and

when we sing songs then they are happy'.

Maybe we were being too ambitious.

Really, do they need drama? Can drama

help them?

The secondary schools children were

having un with us. They want us to comeeveryday to Ipoh. But Daybreak...

Lex, Kimmy and I changed our game.

Lex got the Tamil speaking students.

Kimmy got the Chinese speaking

students, and I got the ang moh

speaking ones. Second class, Lex

sang Tamil songs with them, Kimmy

made them dance! I got them to

make puppets and create alter egos,

one man wanted to be 'Samantha!'

Its now our 5th month going to Ipoh,

twice every month, still waking up at

6.30, but still, a long way to go...

oo Early

Mark beau de Silvais Co-AssociateArtistic Director at klpac. While hemay have lost an hour o sleep everyother week, his lie has since been a littlemore rewarding.

With the generous suppo

Academy @ klpac aids Pe

training to those with sp

Trough a specially tailo

special individuals learn

On these pages are some

8


9/16

Kimmy Kiewis a Director-in-Residence at klpac. It flls her heart with gladness to be

able to help these special youth build a brighter uture through her theatrical experience.

uala Lumpur Kepong Berhad, Te Actors Studio

n Daybreak in its mission to provide vocational

eeds via its expertise in Dramatheraphy.

eech and Drama syllabus, Te Academy helps these

ls necessary to comortably integrate into society.

ts by two o the Academy's acilitators on their work.

9


10/16

ONGOING PROGRAMMES

Preschool Drama Programme

Every semester o the Pre-school Programme consists o10 weeks that lead up to a mini-presentation on the lastclass. Each class will have the various topics covered invarying activities such as movement and body, speechand voice, group work and working in a team.

Age: 36 yrsDay: Saturday or SundayTime: 10am11amCourse Fee: RM250 per semester

Saturday ClassesSem 2: June 18,25 July 2,9,16,23,30 Aug 6,13Rehearsal : Aug 20 Presentation: Aug 21

Sunday ClassesSem 2 : June 19,26 July 3,10,17,24,31 Aug 7,14Rehearsal : Aug 20 Presentation: Aug 21

Speech & Drama Programme

Every semester o the Speech and Drama Programmeconsists o 12 weeks that lead up to a mini-presentationon the last class.

Each class will have the various topics coveredin varying activities such as Movement and Body,Speech and Voice Work, Ensemble Work, Solo Work,Devised Work,Scripted Work and Popular Literature.

Ages: Group A: 79 yrs old, Group B: 1012 yrs oldGroup C: 1315 yrs old

Day: Saturday or SundayCourse Fee: RM360 per semesterTime: Semester 2: 10.30am1pm

Semester 3: 10.30am1pm

Saturday ClassesSem 2: June 18,25 July 2,9,16,23,30 Aug 6,13,20Sem 3: Oct 1,8,15,22 Nov 12,19,26 Dec 3,10Rehearsal: Dec 17 Presentation : Dec 18

Sunday ClassesSem 2: June 19,26 July 3,10,17,24,31 Aug 7,14,21Sem 3: Oct 2,9,16,23 Nov 13,20,27 Dec 4,11Rehearsal: Dec 17 Presentation : Dec 18

REGISTRATION FOR SEMESTER 2

IS NOW OPEN Hip Hop Dance Workshop (Beginners Level)with Coery Sik & Caprice Fong

Hip hop dancing is an urban ethnic dance orm that hasgained popularity nowadays. An ideal way to expressyour creativity. This workshop will teach you the saeand correct technique o breaking, popping, locking andree styling in hip hop dances. Come and try it yoursel!

Age: 816 yrsDate: June 1,2,3,6,7,8Time: 12.30pm2pmCourse Fee: RM180* (Early bird discount beore 20th

o May: RM160*)

MAY/JUNE SCHOOL HOLIDAYPROGRAMME

Intensive Children's & Teenagers TheatreProgramme

A 2-week programme or children aged between 312years old. Consists o a series o un-lled, exploratory,theatre based activities and games to help participantssel-development by tapping into their creativity.Classes are everyday rom Monday to Friday. Classeswill be conducted by The Actors Studio Academy@klpac acilitators

Age: Middle: 712 yrs old, Senior: 1317 yrs oldDate: May 30,31 June 1,2,3,6,7,8Time: Middle:10am12pm (2 hours)

Senior: 10am12pm (2 hours)Course Fee: Middle: RM250*, Senior: RM270*

Intensive Arts Programme or Young Children

This 1-week programme is to instil perorming artsskills while honing the creativity and imagination oeach young person. In our classroom we encouragechildren to explore within themselves and the worldaround them.

Age: 36 yrs old (Minimum 10 students)

Date: May 30,31 Jun 1,2,3Time: 10am12pmCourse Fee: RM250*

10

Fauziah Nawi. Patrick Teoh.

Datin Seri Tiara Jacquelina.

Leslie Dawson. Ramli Hassan.

These names have benefted

rom The Ac to rs S tud io

Academys programme andwent on to be successul

individuals in their own right.

The arts can teach us what

lessons in classrooms cannot.

Today, The Actors Studio

Academy continues to run a

whole host o arts courses

or children through to adults,

or aspiring artistes as well asthe average person. Its arts-

based corporate training is

also highly popular.

For further information or to

sign up for activities, please

contact the Academy at

+603 4047 9060

[email protected]


11/16

Te FacilitatorsMeet the acilitators o the programmes at theAcademy. I they seem amiliar, thats probablybecause you have seen them on stage or onshow posters! That s right, our acilitators arethe cream o the crop in the perorming artsscene; rom experts in speech and drama to

award winning choreographers, you will trulylearn rom the best in the country!

Ezanin Mazlanhas been always been in lovewith traditional music since his school years. Hegraduated rom ASWARA with Diploma in Music in2008, and has participated in many productions invarious capacities in ASWARA and elsewhere.

Shobana Sahajananan starteddancing at the age o our. Trained since youngin bharathanatyam, she continues on to pursueoddisi, khatak and mujra and also belly dance. Shehas been dancing all her lie and conducted manyworkshops and choreographed various events.

Madam Kam was born into a amily oCantonese opera artist in Hong Kong. She startedher career as a ull time opera artist in 1968. Shehas co-starred with many big names in Hong Kongand is a leading emale in Cantonese opera.

David Lim is a director, actor, physicalperormer and choreographer. He trained in actingat the Atlantic Acting School in New York City& also with the aculty o the world renownedMoscow Art Theatre School.

Caprice Fong is very passionate aboutdancing, she has travelled around severalcountries to learn the art and the correct techniqueo hip hop dancing such as at UDC Sydneyand with Marty Kedelka (Justin Timberlakeschoreographer). She also choreograph or eventsand shows.

Payal Vashisthas been acting and dancingsince childhood and has devoted hersel topursuing her dream in the perorming arts sinceearning a degree in English Literature.

REGULAR PROGRAMMESIntroduction To Cantonese Opera with Mdm. Kam

Cantonese Opera is a highly respected art orm thatblends in Chinese legends, music and drama into anexciting perormance style, rich in symbolic meaningsand beautiul lyrics.

This workshop will guide you to ocus on vocaltechniques such as breathing, tone quality, voiceprojection and stage presence.

This workshop is suitable or those who understandsand speaks Cantonese. Ability to read Chinese is notnecessary as the approach or class is more on the

practical side.Age: 16yrs and above (Max. 16 students)Date: Please Call (3 month duration)Time: 8.30pm10.30pmCourse Fee: RM300*

* Please note RM50 registration ee isapplicable or all classes.

Traditional Malay Gamelan Workshop ByEzanin Mazlan

Noted as the music that is usually played during royaland ormal occasions since the 19th century, gamelanmusic generates rich, sonorous and mesmerizingsounds. Playing the gamelan can inspire sel-condence, improve co-ordination and listening skills,encourage interaction and team-building and be agreat chance to try something new. You are welcome to

attend regardless o your musical background -all youneed is a desire to learn.

Beginners (Saturday, 2pm 4pm)

Sem 1: Mar 05,12,26 Apr 02, 09, 16, 23 May 07, 14Rehearsal: May 27 Showcase: May 28

Sem 2: Jul 02,09,16,23,30 Aug 06,13,20 Sep 10,17Rehearsal: Sep 24 Showcase: May 25

Advanced (Sunday, 12pm2pm)

Sem 1: Mar 13,27 Apr 10, 24 May 08, 22 June 12,26 Jul 10,24

Sem 2: Aug 07,21 Sep 11,25 Oct 2,9,16,23,30 Nov 13

Rehearsal: Nov 19 Showcase : Nov 20

Course Fee: RM300* per semester

Bollywood Dancing For Beginners by ShobanaSahajananan

Bollywood dance style incorporates the usion o HipHop, Jazz, Salsa, E ast Indian Classical, Folk, andBhangra dance. The combination o the steps willstrengthen the dancers awareness o music, timing,spacing and precision. The class is casual, inormaland a un way o workout!

This workshop will prepare you or proessional dancetraining and troupe perormances or stage shows,television, lm, corporate events, concerts, weddingreception, private parties, workshops, and social/public events.

Suitable or beginners and those with experience

Ages: Children: 4yrs15yrs; Adults : 16yrs +

Date: May 8,15,22,29 June 5,12,19,26 July 3,10,17,24(Sunday)Time: 1pm2pm (children); 2pm3pm (adults)Course ee: RM120 per month/ RM350 or 3 months*

Script & Staging or Actors with David Lim

In this class, students will learn how to analyze scripts andhow to stage/perorm them, utilizing an acting techniquecalled Practical Aesthetics. The class is suitable or thosewith or without ormal acting training. It is also a greatollow-up or those who have studied the Repetition.

Students will be required to attend every classpunctually & be prepared to spend a couple o hours aweek outside o class on homework/rehearsals.

Date: June 11,18,25, July 2, 9,16,23 (Saturdays)Time: 2pm5.30pm

Course ee: RM420*

Act the Play, Play the ActBeginners ActingCourse with Seng Soo Ming

Acting is playing, playing is acting, and the stage weare in, is the playground. This is an acting class orthose who are interested, curious, love or hate actingwhilst they dont know what, why, and how exactlyacting is happening. Here, we will explore the un oletting play happens. And beore that, through basictrainings and games the students will learn how toprepare themselves to play (to act).

This course is opened or those with or without actingexperience, but experience and ability to play gamesis necessar y. Age range is rom 15 year old above. Itwill be conducted in English and Mandarin.

Date: May 12,14,19,21,26 June 9,11,16,18,23(Thursday & Saturdays)

Time: Thu 8.30pm10.30pm; Sat 2pm4pmCourse ee: RM350*

Actor as creator IIIrom actor to characterwith Seng Soo Ming

This is an acting class explores the process opreparing an actors body into readiness, buildingthe bridge between a person and an actor, then theactor and character.

As a continuation rom the previous sessions, thestudents will explore on how to nd the charactersbody and voice.The class will be divided into two parts.Those who are interested can either join Part 1 in Mayor Part 2 in June or can also join both workshops.

This class is only suitable or actors with basictraining or experience. Actors must attend classespunctually and ully commit with the schedule given.

Date: (Sundays & Wednesdays)Part 1: May 15,18,20,25Part 2: June 8,12,15,19,22,26,29

Time: Sundays (10am4pm);Wednesdays (7.30pm10.30pm)

Course Fee: Part 1: RM200* Part 2: RM450*A theatre practitioner since 1998 SengSoo Ming joined the Singaporean TheatreTraining & Research Program in 2005where the experience led him to examinepossibilities o bringing together elements oAsian traditional and contemporary theatre

in both creative works and tr aining, in orderto build a bridge between dierent cultures.

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June at Te Actors Studio@Lot10 &Te Kuala Lumpur Perorming Arts Centre

Te Actors Studio @ Lot 10Box Oce

tel: (03) 2142 2009

(03) 2143 2009

web: www.theactorsstudio.com.my

Te Kuala Lumpur PerormingArts Centre (klpac) Box Oce

tel: (03) 4047 9000

web: www.klpac.org

Switch On (Electronic Series)

3 June 2011 @ 8.30pm at theIndicine, klpac. Admission is ree.

Switch On is a monthly electronicsound & arts seriessince March 2009.The event compileslive concert, DVDscreening, artist sharingand so much more. Ithas become one o themost important event

series on experimental music & arts in Malaysia.

This monthly electronic series is another no budgetproject by Herbal International, with the venue &technical kindly supported by klpac.

JUN

03

Worlds Best Movies

(Film Screening)

4, 11 & 18 June 2011 @ 8pmat Indicine, klpac. Entrance

by donation oany amount - alldonations are or theJapanese DisasterRelie (Limited spacesavailable. First comerst served basis)

Film bus will bepleased that The ActorsStudio will be revisitingsome classic lms rom

across the globe andsharing them with you.

Do not miss this new series o Worlds Best Movieswhich will be showcasing three Japanese lmsincluding two rom the 90s and one rom the 80s!The screening o lms including Kids Return(1996),Kikujiro(1996), and Ran(1985).

JUN

04

The Platorm(Play/open-mic session)

6 June @ 8.30pm at Indicine,klpac. Admission is Free

klpacs open-micsession or theatre, ThePlatorm, is back or thethird year running withits very rst sessionon 7 February. As withprevious years, ThePlatormtakes placeon the rst Monday oevery month at 8.30pmand will end in July.Each month, a wholehost o new works and

resh talents will be showcased to the public.

Anyone and everyone are welcomed to make asubmission and book a slot to perorm at ThePlatorm. There is no ee involved to book a slotand there is no entrance ee or the perormanceas well. The ull guidelines are available onwww.klpac.org. For urther enquiries or to book aslot, please e-mail [email protected].

JUN

06

Ri Yue Chu Yin (Concert)

911 June @ 8.30 pm, 1112 June@ 3pm at Pentas 1, klpac. icketPrice: RM48, RM68, RM88,

RM108 and RM128

(For discounts, please

visit www.klpac.org)

Living in a country withsuch diverse traditionalroots has inspiredHands Percussion onthis exciting journeyto celebrate theunity o Armour andSkin. As simple asit sounds,masteringpercussive art-orms is

a challenging conviction.

Ri Yue Chu Yin is put together by a passion ordierence, with a blend o sound patterns that the

team has inhaled, sweated and wept since its birth.Be it Gamelan or Shigus, HANDS humbly invites youto share their world o rhythmic dreams. The skysthe limit or these crazy drummers whose creativitybeginning at home!

Ri Yue Chu Yin, a collaborative perormance by HandsPercussion &The Eight Mallets Percussion (Beijing)

JUN

09

FUSED (Mixed bill-Experimental series)

1418 June @ 8.30pm, 19 June @3pm at AS @ Lot 10. Entry by

minimum donationo RM10.

FUSED is a bi-monthlyexperimental serieseaturing a usiono artists, ideas andperormances. Feaston something dierentevery night o the weekas we promise an arrayo perormances as wellas workshops. Comeor one night or ve in

a row - each night oers you an alternative genre o

the arts. Sit back, relax or just join in the un. Nothingtoo heavy, we promise you, but it will be a ascinatingexperience and a great time at the theatre is certain!

FUSED programme or June 2011:

AI:IA Improv Hour14 June 2011 (Tue) @ 8:30pmStrumming to a Dierent Tune15 June 2011 (Wed) @ 8:30pmMonti & Logi Open Mic Comedy Hour16 June 2011 (Thu) @ 8:30pmDancebox17 June 2011 (Fri) @ 8:30pmBACA: Rehearsed Reading18 June 2011 (Sat) @ 8:30pm

Malaysian Made Movies19 June 2011 (Sun) @ 3pm

For more inormation, please visit:www.theactorsstudio.com.my

JUN

14

Rock Paper Scissors ByNoord Nederlandse Dans(Contemporary Dance)

16 June 2011 @ 8:30pm at Pentas1, klpac. Entry bydonation o RM35(adults) / RM20(students & thedisabled)

Rock Paper Scissors isa dance contemporarypiece about a game thatcannot be won, centredaround the conceptso risk, luck andcoincidences.

Director Stephen Shropshire invites Andrea Miller(USA) and Roy Assa (Israel) to create alongside himor the production Rock Paper Scissors. To be seen:three choreographic works about a game that cannotbe won.

Presented &Organised by klpac / Libero Production

/ TNT.

JUN

16

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Nitya Sumangali - The EternalWie (Dance)

22 June @ 8.30pm (preview);2325 June @ 8.30pm; 26 June

@ 3pm at Pentas 2,klpac. icket Price:RM13 fat (preview)/ RM25 (adults) /RM15 (students &the disabled)

Student package -purchase 20 ticketsand get 2 FREE

In some parts oancient India, selectprepubescent girls were

married to Gods. These wives o God or 'Devadasis'became an integral part o many large Hindu temples,perorming various duties including presentingdance and music perormances as artists. Due tocircumstances, these dancing girls were orced intofesh trade and subjected to untold misery.

Set in an old temple o Shiva, Nitya Sumangalitellsthe story o a Devadasi whom alls victim to a cruel

ate as an eternal wie o God, ollowing tradition-even in death.

Written and Directed by klpac's Choreographer-in-Rwsidence Lex Lakshman Balakrishnan, this perioddance drama challenges creativity on every rontrom choreography to costume, set design to soundand light and eatures the deconstruction o classicaland contemporary dances.

JUN

22

Birdian Saxophone Quartet(Concert)

26 June 2011 @ 3pm at AS @

Lot 10. Entrance by minimumdonation o RM15.

Sit back and enjoy this wonderul journey that bringsyou arrangements o amous tunes with a mixtureo light duet, trio and quartet music that is sure toascinate you!

Featuring: Ian Chan Wing Hang (Soprano/Alto Saxophone), Richard Goh Hao Tian (AltoSaxophone), Low Chee Meng (Alto/TenorSaxophone), Foo Yee Lee (Tenor Saxophone) &Cheryl Mah Yiing Chiau (Baritone saxophone)

JUN

26 A Night o Cantonese Opera V(Play)1 & 2 July 2011 @ 8pm at AS@ Lot 10. icket Price: RM35(centre seats / adults); RM20

(side seats / students & the disabled)

Madam Kam rom Hong Kong brings you 6 beautiullegends o China this July. Cantonese opera is atraditional art orm that involving music, singing,martial arts, acrobatics and acting, and is a majorcategory in Chinese opera, originating in southernChina's Cantonese culture. It is a highly respectedart orm that blends in Chinese olk tales, music anddrama into a thrilling perormance style with varioussymbolic meanings and glamorous lyrics.

JUL01

Shakespeare Demystifed:Julius Caesar (Play)

28 June1 July 2011 @ 8.30pmat Indicine, klpac. Entrance by

donation.

ShakespeareDemystifedaims toshare the joy and geniuso the Bard's masterulstorytelling and curious

understanding ohumanity.

Julius Caesaris asearing tale o powerand ambition; and othe ideals o the state

and o society, with a sprinkle o violence and theodd bit o comedy. This 80-minute no-rills showeatures scenes in their original text, with modern-daynarration to help iron out any Elizabethan wrinkles.

This will be ollowed by a 10-minute break and20-minute Q&A session.

JUN

28JUN

22

ARE YOU INTOWN? Paulwah Time Concert

2223 June @ 8.30pm at Pentas1, klpac. icket Price: RM53,RM83 & RM103

ARE YOU IN TOWN? Paul Wah TimeConcert presented by Musictoxin Productions andTigaorang Associate.

Paul Wah will brightens us up again with her talents

that had been hidden rom the limelight or morethan a decade and hal. The precise mastery o PaulWahs vocal is what we are rest assured o most. Aterretreating to behind the stage, the eel and richness inher vocal are even more intriguing. Thats the reasonwe agree, perseverance is a beautiul orce!

Music Director, Tay Cher Siang will leading WVC Trio,one o the best jazz trios in Malaysia, injected newelements into the song arrangements, giving it a newlie and nding a new direction in Paul Wahs vocal!

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14/16

Faridahs RefectionsYou may have heard about Short+Sweet? Well this is the 4th year Short+Sweet

Malaysia will be hosting the estival cum competition at klpac. We began with

Theatre in 2008, Dance+Theatre in 2009 and Musical+Dance+Theatre in 2010.

As is the practice every year, a series o workshops are held in April, sponsored by

The Australian High Commission where budding writers, directors, choreographers,

composers and perormers are gently slipped into the world o a 10 minute creation.

Names such as Alex Broun, Nicole Stinton, Kay Armstrong all rom Australia and this

time Alex is joined by Michael Voon, Nicholas Choo and Llewelyn Marsh held the

hands o about 70 young and the not-so-young enthusiasts as they cross their t's

and dot the i's o theatre, dance and musical.

The call or entries is out! Script Writers, Composers and Choreographers will

submit their original works 'never-beore-perormed-in-public' to [email protected].

All dates and details can be ound at shortandsweetmalaysia.blogspot.com and

on klpac and The Actors Studio websites. Short+Sweet Malaysia estival cum

competition takes o mid September till October 30th.

What's also very exciting is Short+Sweet Malaysia will be working with Short+Sweet

Singapore as we bring orth similar excitement among the young Theatre and

Dance enthusiasts or a workshop in May, held at the awesome LaSalle Institution in

preparation or the estival cum competition at the end o 2011.

So, come and join in The Biggest Little Festival In The World!!

Faridah Merican is the Executive Producer and Co-Founder o Te ActorsStudio (Malaysia) and Te Kuala Lumpur Perorming Arts Centre. She is alsothe Festival Director o Short+Sweet Malaysia.

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living arts malaysia june 2011

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